한문학에 나타난 諸葛亮의 형상화 유형

Abstract

This paper analyzed the shape of JeGalLiang in Chinese literature in terms of the correlation between the writer's experience and the reality of the times. It can be seen that the characters appearing in literary works are reconstructed as characters in relation to the socio-political reality of the individual artist's experience era, not the actual figures in history. In particular, in a situation where the ideology of Neo-Confucianism of the Song Dynasty was dominant, the shape of JeGal-liang, which was emphasized in traditional learning textbooks, was widely recognized as a universal and typical shape for Confucian scholars at that time. This can be said to be shaped based on ideologies such as Neo-Confucian moral theory, which is different from the realistic shape of the person recorded in the history book. It was also confirmed that the artist's experience and socio-political situation also had a great influence on the shape of JeGalLiang in the work. Despite his genius ability, in the case of KimSiSep who gave up his will to take pictures and lived outside the Je-do area for his entire life due to the deprivation of the throne and experienced the tragedy, it was confirmed that the figure of the poor personal ego was projected onto the image of JeGalLiang in the work. Similar to them, LeeSanHae recreated the unfair feeling of being accused of wrongdoing because she thought it was the right way to do it in the form of JeGalLiang, focusing on the success or failure of the task, and evaluated Zhuge Liang as a hero of heaven and earth.