跨東亞視閾下明末清初的≪詩經≫學復古 ― 以尹鑴≪讀詩記≫對≪申培詩説≫的受容爲中心

Abstract

The Ming Dynasty’s forgery, “Shen Pei Shi Shuo”, reached Korea and was highly regarded by the Korean scholar Yoon Hyu. Based on the acceptance of the viewpoints in “Shen Pei Shi Shuo”, Yoon Hyu created “Du Shi Ji”. In “Du Shi Ji”, he restructured the order of the “Fifteen Guofeng” in the “Shi Jing” and rearranged the sequence of the “Zhou Song(≪周頌≫)”. Yoon Hyu also believed that the ancient music “Jiu Xia(九夏)” was preserved in the “Zhou Song”, and that it contained elements of the “Da Wu(大武)” Finally, the article concludes that Yoon Hyu’s “Du Shi Ji” and “Man Bi: Shi Lun(≪漫筆ㆍ詩論≫)” were originally the same work, created around 1663 AD or slightly later. This article determines, through an analysis of Yoon Hyu’s “Du Shi Ji” and “Man Bi: Shi Lun”, that these two works are likely the same, originally titled “Du Shu Ji: Shi(≪讀書記ㆍ詩≫)”. It is believed that the work was later divided into two during the transcription process. On this basis, the article examines the explanations provided in the prefaces of the various essays in Miscellaneous Essays: Poetry Theory to outline the two major revivalist principles in interpreting poetry.