19세기 가정음악
Hausmusik in the 19th century Germany
0
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
19세기 시민 가정의 실내 장소 ‘살롱’에서 연주된 음악을 독일어 사용권에서는 가정음악으로 해석할 수 있다. 가정의 문화수준과 부, 교양을 상징적으로 보여 준 피아노는 가정음악의 발달에 직접적인 영향을 주었다. 가정음악은 시민 가정에서 음악교육과 가족과 방문객의 만남에서 사교나 소통의 매개였기 때문에 시민 계층의 문화생활을 이끌었을 뿐만 아니라 시민 계층에서 구별된 교양 시민, 소유 시민으로 계층적 상승의 기회도 제공했다. 가정음악은 주어진 음악적 환경을 통해 음악적 능력을 습득하여 사회생활에 적응해 가는 시민 개인의 음악적 사회화를 위한 매개체로 작용했다. 특히 시민 가정의 소녀들에겐 고급 숙녀 및 직업 음악가의 길을 피아노 음악이 열어주었다. 시민 계층의 음악 문화를 위한, 쉽고 즐겁게 배울 수 있는 선율로 구성된 성격 소품이 출판되어, 가정에서 피아노를 직접 연주하며 스스로 즐기고 동시에 가족이나 친구와 함께 즐길 수 있는 오락적 음악이 탄생했다. 19세기 가정음악은 단순한 시민 가정에서 연주되는 음악의 의미가 아니라, 시대적 배경을 반영한 사회-문화의 복합적 의미를 가진 시민 계층의 고급 문화생활에 대한 상징적 개념이었다.
Abstract
The interior place ‘salon’ of the 19th century’s civil families where this appeared and accomplished music in that place would be able to interpret with Hausmusik from German using circle. Piano had the social value which was very useful such as bringing up for symbol of wealth and education which expressed the cultural level of the family passed from the society. Furthermore, ladies or young girls received a musical education from the family and if they were recognized their talents, which would be possible a social participation as a music teacher and being raised the cultural level of the family with music and when host their visitors, would it be able to create a high-class’ place and cultural social intercourse with music. Namely, they practiced the musical skills with given musical circumstance to them in house and continued to apply. Hausmusik acted such as mediation which was used to rule to social life of individual. Specially, piano of house music that offered ladies in social-class to go ways of ladies in high-class or professional musician. For the musical culture in civil class and having a possibility of learning lightly would be able to play easily. The characteristic small music which was small-scale style and suitable music in the family. It led musical entertainment that they enjoyed playing by themselves and performing piano with family and friend circles. After all, Hausmusik in the 19th century was a symbol of concept about the high class’ taste in the civil class not only performed music, but also reflected the complex meanings of society and culture.
참고문헌 (41)
- Badarzewska, Thekla, "Das Gebet einer Jungfrau", Carl Rühle’s Musik Verlag
- Moscheles, Ignaz, "Täglichen Studien über die harmonisirten Scalen zur Übung in den verschiedensten Rhythmen: Ein Cyclus von 59 vierhändigen Charakterstücken - in allen Dur- und Molltonarten mit vollständigem Fingersatz für das Pianoforte op. 107" (1843), Kistner
- Moscheles, Ignaz, "Familien 12 progressive Charakterstücke: für das Pianoforte zu vier Händen op. 140" (1866), Kistner
- Moscheles, Ignaz, "Drei Charakterstücke: für das Pianoforte zu vier Händen op. 142" (1866), Kistner
- Aschauer, Michael, "Badarczewska-Baranowska, Tekla", pp.70~ (2006), Laaber-Verlag
- Ballstaedt, Andreas, "Salonmusik" (1989), Franz Steiner Verlag
- Beci, Veronika, "Musikalische Salons, Bluetezeit einer Frauenkultur" (2000), Artemis & Winkler
- Böckheler, Konstantin, "Die deutsche Hausmusik in der Gegenwart, Daheim XV", pp.832~836 (1879), Velhagen & Klasing
- Bodky, Erwin, "Hat das Klavier in der Hausmusik noch eine Zukunft", Die Musik, 24(8), pp.569~575 (1932)
- Bruckmüller, Ernst, "Sozialgeschichte Österreichs" (2001), Oldenbourg Verlag
- Busch-Salmen, Gabriele, "Die Musik in Geschichte und Gegenwart, In Die Musik in Geschichte und Gegenwart", pp.227~234 (1994), Bärenreiter
- Cho, Yeon-Sook, "Die Musik für Klavier zu vier Händen von Ignaz Moscheles: Historische Stellung und Funktion", 박사, pp.2004
- Dahlhaus, Carl, "Die Musik des 19, In Jahrhunderts" (1980), Akad. Verl. -Ges Athenaion
- Eicker, Isabel, "Kinderstücke" (1995), Gustav Bosse Verlag
- Engelsing, Rolf, "Zur Sozialgeschichte deutscher Mittel-und Unterschichten" (1973), Vandenhoeck & Ruprecht
- von Falke, Jakob, "Die Kunst im Hause. Geschichtliche und kritisch-Aesthetische Studien über die Decoration und Ausstattung der Wohnung" (1873), Gerold
- Fellerer, Karl Gustav, "Studien zur Musik des 19, In Jahrhunderts" (1984), Gustav Bosse
- Gastrein, Rainer, "Musik in der intimité du salon, In Musica Privata Die Rolle der Musik im privaten Leben", pp.113~120 (1991), Helbling
- Goebels, Franzpeter, "Abenteuer Klavier, Aspekte zu Klavierbau und Klavierspiel, In Fünf Jahrhunderte deutscher Musikinstrumentenbau", pp.219~232 (1987), Selbstverlag BDMH
- Gradenwitz, Peter, "Kleine Kulturgeschichte der Klaviermusik" (1988), List
- von der Heyden-Rynsch, "Verena, In Europäische Salons" (1995), Rowohlt Taschenbuch
- Hoffmann, Freia, "Instrument und Köper, In Die musizierende Frau in der bürgerlichen Kultur" (1991), Insel
- Jungmann, Irmgard, "Sozialgeschichte der klassischen Musik―Bildungsbürgerliche Musikanschauung im 19. und 20" (2008), J. B. Metzler
- Kahl, Willi, "Die Musik in Geschichte und Gegenwart", pp.1094~1100 (1989), DTV
- Keldany-Mohr, Irmgard, "Unterhaltungsmusik als soziokulturelles Phaenomen des 19" (1977), Bosse
- Kindermann, Jürgen, "Unterhaltungs- und Gebrauchsmusik im 19. Jahrhundert", Die Musik Forschung, 19(2), pp.176~179 (1966)
- Knepler, George, "Musikgeschichte des 19, In Jahrhunderts" (1961), Henschelverlag
- Liedtke, Max, "Johann Heinrich Pestalozzi" (1968), Rowohlt
- Lippe-Weißenfeld, "Klavier als Mittel gesellschaftlicher Distinktion" (2007), Peter Lang
- Lobe, Johann Christian, "Musikalische Briefe, In Wahrheit über Tonkunst und Tonkünstler. Bd. 1" (1852), Baumgärtner
- Moscheles, Charlotte, "Aus Moscheles’ Leben: nach Briefen und Tagebüchern, hrsg. von seiner Frau, Bd. 2" (1872), Duncker & Humblot
- Olbrich, Harald, "Salon, In Lexikon der Kunst", pp.355~356 (1996), Dt. Taschenbuch
- Petrat, Nicolai, "Hausmusik des Biedermeier im Blickpunkt der zeitgenössischen musikalischen Fachpresse" (1986), Verlag der Musikalienhandlung Karl Dieter Wagner
- Preussner, Eberhard, "Die bürgerliche Musikkultur, Ein Beitrag zur deutschen Musikgeschichte des 18" (1950), Bärenreiter
- Röttgers, B, "Plaudereien über neuere Haus- und Salonmusik", Neue Musik-Zeitung, 23(7), pp.81~96 (1902)
- Rummenhöller, Peter, "Unterhaltung in der Musik", Neue Zeitschrift für Musik, 141, pp.7~9 (1980)
- Sabin, Stefana, "Frauen am Klavier Skizze einer Kulturgeschichte" (1998), Insel-Verlag
- Salmen, Walter, "Musikgeschichte in Bildern Haus- und Kammermusik: Privates Musizieren im gesellschaftlichen Wandel zwischen 1600 und 1900" (1969), Dt. Verlag für Musik
- Schuhmacher, Gerhard, "Ave Maria―das Gebet einer Jungfrau", Neue Zeitschrift für Musik, 147(9), pp.9~13 (1986)
- Weber, Max, "Die rationalen und soziologischen Grundlagen der Musik" (1921), Drei-Masken-Verlag
- Würz, Anton, "Unterhaltungsmusik, In Die Musik in Geschichte und Gegenwart", pp.1138~1152 (1989), DTV