梁柱東과 梁啓超의 詩와 詩論의 관련 양상

Abstract

During his childhood, Yang Joo dong studied deeply about Liang qi chao’s 『飮氷室文集』. The 『飮氷室文集』 contains several literatures that rise and fall of different countries in the world as the main subject matter, beside of articles on Liang qi chao's view of literature. The exploration of these works became the basis for later Yang Joo dong's creation and early poetic theories, especially on use of poetic diction and criticism on poems. Yang Joo dong and Liang qi chao both insisted on the use of popular language, but the say they did it was different. Liang qi chao was aimed at the use of new nouns, new words, etc. And Yang Joo dong avoided the use of foreign words from the standpoint of Korean linguists. However these two both had same purpose: to make it easy to understand from the standpoint of the people. Yang Joo dong and Liang qi chao used form of ‘Boy' as a way to find a hope and overcome the national crisis. Liang qi chao had a hope for a boy against the imperialist power for national prosperity through 「少年中國說」. And Yang Joo dong also gave boys responsibility and expressed their desire for independence through 「pulse of Chosen」. We can find a common point in the theory of poetry as claimed by Yang Joo dong and Liang qi chao. Yang Joo dong emphasizes content, form, rhyme, and musicality in poetry creation. Especially he claimed about the importance of balance between contents and form that uses the grammar that suits to Korean. This can be seen as a strong relationship with Liang qi chao’s three conditions for the ideal creation of poetry that he claimed, which is an assertion that balance of new word and the form of the poetry creates newstage.