일본 전통예능 가부키의 현대화 양상연구

Abstract

This paper, ‘A Study on Modernization aspects of Japanese traditional theatre Kabuki’, focusing on how Japanese traditional arts are privileged to the public as successful performances, I tried to look at the aspects of traditional arts that have been modernized. First, ‘Theater Cocoon’ is a theater that plays classic Kabuki with a new production ‘Cocoon Kabuki’ as a device to overturn Kabuki's stage style. Kankuro has been performing 'Tokaido yotsuya kaidan' and 'Natsumatsuri naniwa kagami' once or twice a year. It was noteworthy that the audience was not a general Kabuki fan but a younger generation who was theater visitor.　Next, 'Heisei Nakamura-za' is a hypothetical theater that reproduces the atmosphere of the Edo era small theater ‘Nakamura-za’. I looked at the reality of these theater spaces, which seemed to be experimental approaches while keeping tradition. Then, I examined various aspects of popularization strategy through flexible diversification of Super Kabuki and Cinema Kabuki. 'Super Kabuki' is a modern Kabuki with a spectacular production that differs from the traditional Kabuki, and Ⅲ Ichikawa Ennosuke it first started in 1986. The first work is 'Yamato takeru' in 2014 it is called 'Super Kabuki Second II' have been made around Ⅳ Ennosuke. In 2015, a Super Kabuki second 'ONE PIECE' was performed in collaboration with popular manga 'ONE PIECE' and traditional arts Kabuki, and more than 100,000 people were mobilized. This was evaluated as a new breakthrough, and examined the implications of the encounter between the tradition and the modern by examining the background of support from a wide range of generations. Thus, collect data about the performance of these realities and meanings produced by intentionally popular part of the Kabuki tradition, it sought to analyze.