유쾌한 윤리: 현대판 도덕극 <더 굿 플레이스>
Playful Ethics: A Modern Morality Play, The Good Place
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper analyzes the morality play elements in The Good Place, examining how these elements gain contemporary relevance through philosophical frameworks and the sitcom format. Instead of a single “Everyman” representing humanity, it presents four diverse main characters, reflecting a modern, multifaceted view of human nature. The show addresses moral conflict through a clear good-evil dichotomy, illustrating how ethical growth occurs through genuine relationships and community. Eleanor learns to choose “good” through her moral struggles, underscoring the importance of interpersonal connections in ethical decision-making. It uses philosophy to show the importance of relationships while replacing medieval morality plays’ religious beliefs with a modern moral allegory. While departing from medieval salvation via a supreme deity, The Good Place emphasizes redemption through efforts for each other, suggesting that being a “good” person relies on helping others develop morally. It incorporates T. M. Scanlon’s contractualism and Aristotle’s virtue ethics to portray the pursuit of goodness as both challenging and deeply rewarding. By prompting reflection on moral complexities and personal responsibility in modern society, The Good Place serves as a meaningful cultural commentary on morality today.
Abstract
This paper analyzes the morality play elements in The Good Place, examining how these elements gain contemporary relevance through philosophical frameworks and the sitcom format. Instead of a single “Everyman” representing humanity, it presents four diverse main characters, reflecting a modern, multifaceted view of human nature. The show addresses moral conflict through a clear good-evil dichotomy, illustrating how ethical growth occurs through genuine relationships and community. Eleanor learns to choose “good” through her moral struggles, underscoring the importance of interpersonal connections in ethical decision-making. It uses philosophy to show the importance of relationships while replacing medieval morality plays’ religious beliefs with a modern moral allegory. While departing from medieval salvation via a supreme deity, The Good Place emphasizes redemption through efforts for each other, suggesting that being a “good” person relies on helping others develop morally. It incorporates T. M. Scanlon’s contractualism and Aristotle’s virtue ethics to portray the pursuit of goodness as both challenging and deeply rewarding. By prompting reflection on moral complexities and personal responsibility in modern society, The Good Place serves as a meaningful cultural commentary on morality today.
참고문헌 (21)
- 김재경, "인류세 담론으로 본 도덕극의 동시대적 의미 : 영국 국립극장의 Everyman을 중심으로", 영어권문화연구, 16(3), pp.109~134 (2023)
- Berman, Judy, "The Good Place became the Last Great Sitcom on Network TV by Daring Its Audience to Be Better", Time Magazine, ~ (2020)
- Brockett, Oscar G, "History of the Theatre" (1991), Allyn and Bacon
- Craven, Allison, "The Good, the Gothic and the Transnational Rules of the Afterlife in The Good Place", Entertainment and Sports Law Journal, 18(6), pp.1~10 (2020)
- Egner, Jeremy, "‘The Good Place’ Finale Finds the Meaning of Life: ‘Yep. Nailed It.’", New York Times, ~ (2020)
- Ellis, Maliya V., "Asking Philosopher T. M. Scanlon. ‘What We Owe to Each Other.’", Harvard Crimson, ~ (2019)
- Ellen Gainor, "The Norton Anthology of Drama Vol. 1", pp.514~534 (2009), W. W. Norton Company
- Holmes, Linda, "A Goodbye to ‘The Good Place.’", NPR, ~ (2020)
- Hutton, Rob, "The Good Place and the End of the Moral Sitcom", Medium, ~ (2019)
- Jang, Keum-Hee, "The Everyman’s Pilgrimage : Medieval Allegory and Narrative in Everyman", Literature and Religion, 27(2), pp.171~190 (2022)
- King, Pamela M, "The Cambridge Companion to Medieval English Theatre", pp.235~262 (2008), Cambridge UP
- Litwin, Yona, "How ‘The Good Place’ Redefined the Sitcom", The Science Survey, ~ (2020)
- Lombrozo, Tania, "The Good Psychology in ‘The Good Place.’", NPR, ~ (2017)
- Matthews, Dylan, "How The Good Place Taught Moral Philosophy to Its Characters—and Its Creators", VOX, ~ (2020)
- McGrath, Kim, "‘The Good Place’ Creator, Michael Schur, Mixes Comedy and Ethics", Wake Forest News, ~ (2022)
- Pillar of Garbage, "The Morals of The Good Place", Youtube, ~ (2024)
- Press, Lindsay, "The Good Place: How It Became One of the Best Comedy TV Shows", ~ (2023)
- Schar, Michael, "The Good Place Season 1-4", pp.2016
- WBUR CitySpace, "The Good Place: Creator Michael Schur and Actor William Jackson Harper", Youtube, ~ (2024)
- Whyte, Chelsea, "The Good Place Review: It is Over, but I’m Never Going to Say Goodbye", New Scientist, ~ (2020)
- Wickham, Glynne, "The Medieval Theatre" (1987), Cambridge UP