스토리텔링을 통한 탄츠테아터 상호매체성에 대한 小考 - ‘시계태엽 오렌지’의 현대무용 전환사례를 중심으로 -

Abstract

This study is a cult movie through the storytelling about the original contents of the book "Ancient Clockwork Orange" by Anthony Bergis, a classic human novel, and it‘s a dance drama that combines drama elements with tempoary dance. The purpose of this study is to investigate the relationship between the re - birth 'Tanztheater' expression technique and 'Intermediality' For this study, we analyze the precedent and the theoretical background of the Tanztheater and the comprehensive Intermediality created by the Rudolf von Laban, a pioneer of German expressionist dance, by analyzing narrative composition and appeal elements of storytelling. In addition, from the viewpoint of OSMU (one source multi use) the narrative analysis of original novels, films, and Tanztheater dramas are categorized into 21 original, 39 movie, and 25 tanztheater We examined the process of conversation between telling and plot, and examined the symbol of individual expression and its symbolic meaning from the viewpoint of 'Synthetic intermediality'. In Tanztheater the storyteller of 'Synthetic intermediality’ is a dancer. The dancer fuses the message to be conveyed with various physical languages such as dance movement, gesture, mime, and stage art such as image media, stage media, costume, and props, It can be said that the audience finally accepts the textual symbols and messages of dance through the transition process of the media. Through the process of this research, the exhibition of 'Synthetic intermediality' in fusion and segmentation, disassembly and union, mutuality and symbolism among the media pursued by the <Watchmaking Orange> works performed with Tanztheater, It was an opportunity to reaffirm the possibility of continuous exploration of the immersion and aesthetic value of the work.