근세중기 문인문학에 나타난 운문과 산문의 상호관계–아키나리(秋成)･데이쇼(庭鐘)･아야타리(綾足)를 중심으로–

Abstract

In this study, I looked upon the inter-boundary-ness between verses and proses. Specifically, how the verse literatures like haikai, waka, kanshi, and, others, were expressed in the representative prose literature, yomihon works was contemplated. By means of that, I tried to make clear of the iner-relativity between arears of two literature genres, and, simultaneously, to examine the common cultural base which was shared by contemporary men of letter, which was a prerequisite of yomihon making. with Ueda Akinary as the central figure, closely related in Akinary exchange zone, contemporary representative writers, Tsuga Teisyo and Takebe Ayatari were also catched in the eye, and therefore, their major works, Harusame-monogatari, Hanabusa -zousi, Nishiyama-monogatari were analyzed. In each work, key word extraction and analyzation of rhetoric expression technique which used waka were followed by identifing process of haikai technique. As before, modern era literature studies mostly ended up in the native area of the genre, and they did not reach to the point that can enough light up the entire aspects of many sided literature activities of edo era men of letters. In this point, a study meant to look into corelation between each proper literature areas would be a very organic approach. Through this study, accomplishment which suggest the organic relations between preceded modern era verse literature study and yomihon study could be expected. Furthermore, how the foundation of the phenomenon, the expanding of literature genre to various forms in Japanese modern times, were established could be examined. This try to reveal corelations with other genres getting out of before independent genre study could be said as a rare approach in domestic or abroad, and the fruits would be highly usable study in home and foreign academy.