高麗詞의 中國詞 수용양상 - 형성기 사와 작가 중심으로 -
On study of Go-Ryu Ci(詞)’s receptivity from Chinese Ci(詞) - focusing on the formative period of Ci and the authors -
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Abstract
This research finds out the characteristics in the early form and degree of receptivity process from Chinese Ci through analysis and literature study about authors of the formative period of Go-Ryu and their works. After Ci was inflowed into the Go-Ryu from China, trying to create Ci first and adopting an author who played a fixed role in forming Ci literature and works as category. This research classifies authors of the formative period and this research searched their works characteristics in the way of forms and contents through 20 works for Ci from five people (宣宗 王運, 權貴妃, 金克己, 李奎報, 慧諶, about 1083~the early 1200s) out of authors that took an active part in the formative period. Also this research divides the 20 Ci works into the romance, the seasonal figures(景物), and the historical events(詠史). Ci that was created in the formative period of Go-Ryu, made use of China’s Ci-Pai(詞牌) and the then authors used various Wan-yue(婉約) style and the fact that works of Ci was described the love, uncertainty of the life(無常), and the natural scenery as a delicate style would be evidence that Go-Ryu Ci authors had some kind of knowledges about Chinese Ci. Though the Ci-Pai(詞牌) used by authors in the formative period in Go-Ryu, had various versions comparatively, there is not much difference among themes of the works. It is due to the similarities of the used Ci-Diao(詞調)’s structures, styles and the musical factors. With the tracing survey of the Ci-Pai(詞牌) and the Ci-Pu(詞譜), we could prove the relationships between the Go-Ryu Ci and the Chinese Ci, and remains it as the next study.
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