高丽末鄭誧词的中国词接受融合情况

Abstract

This study, under the great topic of in what form the chinese ci poems had been adopted into the Goryu dynasty as well as how it was expressed, more specifically, through the initial analysis of the creation background of ci poems of Goryu Jeong Po鄭誧(1309~1345), it is to examine the author’s creation attitude toward ci poems, the aspects of the work and also the adoptive style of Chinese ci poems. The ci poems of the author Jeong Po had three kinds of 詞牌(names of the tunes to which ci poems are composed), 11 ci poem works and those were all that ci poems were inserted into the melody which was in trend during Tang Song period. However, most of them were, unlike Chinese ci poems, not anymore special than reciting the scenery of the season. Throuth the ci poem works which describe scenery of the season, he implicitly expressed the his disappointed state of mind. With Lee JaeHyun李齊賢on the head, the <蔚州八景>詞written through 聯章歌辭of 8詠體 which was widely used from Goryu to Josun dynasty has shown the new aspect from which the chinese ci poems advanced from Goryu. Jeong Po, who understood the tendency of creation of Goryu poet, would be a critical source for viewing the settlement of Chinese ci poems into the Goryu’s literary world as well as the process of the evolvement.