渔洋诗学“神韵”说的溯源与新义诠解

Abstract

Based on the empirical studies, this paper attempted to find the historical origin of the Yu‐yang Poetics “Verve”, as well as by its system of poetics of departure, this study identified its connotation with the new meaning to interpreted. This study considers that the interpretation of its “Verve” should include two aspects of human Culture and brief words. The “Verve” rise above the personality of the spirit of Zen, which the aesthetic subjects fully posses. It must also express the spiritual essence of the aesthetic objects with simple and full of rich meaning of the metaphorical language by the aesthetic objects’Xing Hui, Miao Gordon’s experience and the creation of the refraction through the “Xing Xiang.” Moreover, the “Verve” ought to express a plain style and Qingyuan of a whole realm of character which cannot express by language. That is a new explanation of the Yu‐yang Poetics “Verve.”In the poetics of history in ancient China, there is a significant relationship between Wang Yu‐yang’s “Verve”and criticism and the inherent creativity in the North and South school of painting. Thus, this study concluded that the relationship is the same meaning pulse in the aesthetic spirit and the origin of the theory, and also Yu‐yang’s “Verve” practically affects from the theory of Nanzong’s creation of art and criticism that advocates Dong Qichang in Ming dynasty.