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『西行法師家集』の現行流布本の校訂試案

Textcritic of “SAIGYO-HOSHI-KASHU”

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초록

Saigyo is called a poet of cherry blossoms and the moon. He is also called a wandering poet who admires transience of life. His waka is loved by all the ages til today because it does not only contain literary value but also popular appeal. This research covers “SAIGYO-HOSHI-KASHU” which is one of Saigyo’s collection of poems. The original version of this collection of poems can not be found however the majority of his texts are being introduced. Among them, the manuscript possessed by Rikatemoongo is now being used as a representative text. But the formal possession of Rikatemoongo is having a few problems since it was not examined thoroughly by the textual criticism. Based on this, we compared and looked through the differences in the manuscripts such as the formal possession of Rikatemoongo. And doing so, we could confirm that the formal possession of Rikatemoongo has its own textual characteristic. Moreover, we made a proposal about making revision through textual criticism. The achievement of this research is that it enables us to read the works about “SAIGYO-HOSHI-KASHU” smoothly and we can furthermore expect the secure credibility of work research. In addition, we can look through both how Japan’s classic literature was enjoyed and changed variously in epic culture based on research result. This would be the key opportunity which encourages the readers not to rely heavily only on texts which is widely known to popularity but to have subjective and multilateral view about Japan’s classic literature

Abstract

Saigyo is called a poet of cherry blossoms and the moon. He is also called a wandering poet who admires transience of life. His waka is loved by all the ages til today because it does not only contain literary value but also popular appeal. This research covers “SAIGYO-HOSHI-KASHU” which is one of Saigyo’s collection of poems. The original version of this collection of poems can not be found however the majority of his texts are being introduced. Among them, the manuscript possessed by Rikatemoongo is now being used as a representative text. But the formal possession of Rikatemoongo is having a few problems since it was not examined thoroughly by the textual criticism. Based on this, we compared and looked through the differences in the manuscripts such as the formal possession of Rikatemoongo. And doing so, we could confirm that the formal possession of Rikatemoongo has its own textual characteristic. Moreover, we made a proposal about making revision through textual criticism. The achievement of this research is that it enables us to read the works about “SAIGYO-HOSHI-KASHU” smoothly and we can furthermore expect the secure credibility of work research. In addition, we can look through both how Japan’s classic literature was enjoyed and changed variously in epic culture based on research result. This would be the key opportunity which encourages the readers not to rely heavily only on texts which is widely known to popularity but to have subjective and multilateral view about Japan’s classic literature

참고문헌 (9)

  1. 伊藤嘉夫, "纂訂西行法師全歌集", pp.257~314 (1935), 大岡山書店
  2. 久保田淳, "西行全集", pp.354~474 (1982), 日本古典文学会
  3. 窪田章一郎, "歌人西行─生活と歌─", pp.19~67 (1989), 短歌新聞社
  4. 後藤重郎, "山家集", pp.9~53 (1982), 新潮社
  5. 高城功夫, "西行の研究─伝本・作品・享受─", pp.88~122 (2001), 笠間書院
  6. 寺沢行忠, "山家集の校本と研究", pp.14~76 (1993), 笠間書院
  7. 寺沢行忠, "西行集の校本と研究", pp.82~286 (2005), 笠間書院
  8. 聞書書, "山家集", pp.明治書院, 残集
  9. 藤岡作太郎, "異本山家集 附録西行論", pp.8~83 (1906), 本郷書院

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