Budaya Jawa yang Tersirat dalam Gadis Pantai
Javanese Culture Revealed in Gadis Pantai
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This article aims to analyze the Pramoedya Ananta Toer's response to the Javanese culture revealed in Gadis Pantai(The Girl from the Coast), one of his unfinished novels. In the Gadis Pantai, a powerful member of the aristocracy spots a young village girl, that is Gadis Pantai, and she is soon married to him in a ceremony that he does not even attend. And so the Gadis Pantai must travel inland to the city, leaving all she knows and loves behind her, to become the latest 'practice wife' for the Bendoro, one of priayi people. This move is not only a physical one; it challenges her understanding of her culture and her very identity. Throughout the novel, the unnamed girl continues to identify herself as a poor village girl from the coast and longs for the familiar beaches and salty sea air. During her time with the Bendoro, the girl learns much about the inequalities present in society, the effects of colonialism, and the satus of women. The Bendoro himself, an intimidating figure, remains, for the most part, in the shadowy background of the novel. The womwn and the villagers in the story, those throughout to be weak, uneducated and unenlightened by the aristocracy and Dutch colonialists, are at the fore of history. Gadis Pantai is another brilliant examination of Javanese culture by Pramoedya. Illustrating a spectrum of Indonesian religion, traditions, gender roles, and socio-economics, the novel provides a unique and deep account for writer's own Javanese culture. This delicate balance of politics, social criticism, history, and artistry ia what has made Pramoedya a likely and favored candidate for the Nobel Prize in Literature.
Abstract
This article aims to analyze the Pramoedya Ananta Toer's response to the Javanese culture revealed in Gadis Pantai(The Girl from the Coast), one of his unfinished novels. In the Gadis Pantai, a powerful member of the aristocracy spots a young village girl, that is Gadis Pantai, and she is soon married to him in a ceremony that he does not even attend. And so the Gadis Pantai must travel inland to the city, leaving all she knows and loves behind her, to become the latest 'practice wife' for the Bendoro, one of priayi people. This move is not only a physical one; it challenges her understanding of her culture and her very identity. Throughout the novel, the unnamed girl continues to identify herself as a poor village girl from the coast and longs for the familiar beaches and salty sea air. During her time with the Bendoro, the girl learns much about the inequalities present in society, the effects of colonialism, and the satus of women. The Bendoro himself, an intimidating figure, remains, for the most part, in the shadowy background of the novel. The womwn and the villagers in the story, those throughout to be weak, uneducated and unenlightened by the aristocracy and Dutch colonialists, are at the fore of history. Gadis Pantai is another brilliant examination of Javanese culture by Pramoedya. Illustrating a spectrum of Indonesian religion, traditions, gender roles, and socio-economics, the novel provides a unique and deep account for writer's own Javanese culture. This delicate balance of politics, social criticism, history, and artistry ia what has made Pramoedya a likely and favored candidate for the Nobel Prize in Literature.
참고문헌 (20)
- Anderson, Benedict R. O'G., "Language and Power: Exploring Political Culture in Indonesia" (1990), Cornell University Press
- Geertz, Clifford, "Abangan, Santri, Priyayi dalam Masyarakat Jawa" (1989), Pustaka Jaya
- Ismail Hussein, "Erti Kata Kebudayaan dalam Shahrim Abdullah(ed.) Warna Sari Kebudayaan", pp.15~20 (1966), Pustaka Aman Press
- Koentjaraningrat, "Kebudayaan Jawa" (1984), Balai Pustaka
- Koentjaraningrat, "Kebudayaan Mentalitas dan Pembengunan" (1994), Gramedia
- Koh Young Hun, "Pemikiran Pramoedya Ananta Toer dalam Novel-Novel Mutakhirnya" (1996), Dewan Bahasa dan Pustaka
- Koh Young Hun, "Fiksi dan Sejarah dalam Arus Balik in", 동남아연구, (13) (2003), 한국외대 동남아연구소
- 고영훈, "Budaya Jawa yang Tersirat dalam Beberapa Novel Pramoedya Ananta Toer", 동남아연구, 15(1), pp.203~228 (2005), 동남아연구소
- Mochtar Lubis, "Budaya, Masyarakat, dan Manusia Indonesia" (1992), Yayasan Obor Indonesia
- Mulder, "Kebatinan dan Hidup Sehari-hari Orang Jawa" (1984), Gramedia
- Parnikel, Boris, "Roman yang ditulis di Pulau Buru dalam Inostrannia Literatura" (1981), Moskow. Terjemahan Koesalah Soebagyo Toer
- Pramoedya Ananta Toer, "Sikap dan Peranan Kaum Intelektual di Dunia Ketiga, Khususnya di Indonesia dalam Nadi Indan" (1982), Kuala Lumpur
- Pramoedya Ananta Toer, "Rumah Kaca" (1988), Hasta Mitra
- Pramoedya Ananta Toer, "Gadis Pantai" (2000), Hasta Mitra
- Supratikno Raharjo, "Peradaban Jawa" (2002), Komunitas Bambu
- Suseno, Franz Magnis, "Etika Jawa" (1988), Gramedia
- Sutherland, Heather, "The Making of a Bureaucratic Elite: the Colonial Transformation of Javanese Priyayi" (1979), Heinamann
- Teeuw, A., "Citra Manusia Indonesia dalam Karya Sastra Pramoedya Ananta Toer" (1997), Pustaka Jaya
- Umar Kayam, "Transformasi Budaya Kita Pidato pengukuhan jabatan guru besar di UGM" (1989)
- Wolters, O.W., "Perdagangan Awal Indonesia: Satu Kajian Asal Usul Kerajaan Srivijaya" (1989), Dewan Bahasa dan Pustaka