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Budaya Jawa yang Tersirat dalam Bukan Pasar Malam

Javanese Culture Revealed in Bukan Pasar Malam

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초록

Pramoedya depicted the scene and atmosphere at the time before his father passed away in his novel Bukan Pasar Malam (translated into English as It’s Not an All Night Fair), published in 1951. It is a simple report, about a family who have a hard life with all their sadness. In this work, Pramoedya uttered his voice on the Javanese culture. He is very sensitive about it and it burdened him. Compared to that in his other works, Pramoedya’s critics on the cultural matters in Bukan Pasar Malam is less caustic. In his novel, he gave his comment on the attitude of the Javanese aristocrats including the concept of sepi ing pamrih as a Javanese way of life and being noble as the ettiquette. The concept of sepi ing pamrih means a value of not putting one’s self on the first priority. In a Javanese society, nobility is shown by the freedom of vested interest (pamrih). He emphasized this attitude through the first person character and his father inthis particular work. The author wants to show in this novel that Javanese people would have an inner peace by implementing sepi ing pamrih. The nobility of Javanese people is represented in the novel. It is implied a physical meaning, that is not using a rising tone, being polite, and well-manered. Pramoedya depicted those attitude through the characters in Bukan Pasar Malam. It is summed up that that Pramoedya responded positively to that particular culture.

Abstract

Pramoedya depicted the scene and atmosphere at the time before his father passed away in his novel Bukan Pasar Malam (translated into English as It’s Not an All Night Fair), published in 1951. It is a simple report, about a family who have a hard life with all their sadness. In this work, Pramoedya uttered his voice on the Javanese culture. He is very sensitive about it and it burdened him. Compared to that in his other works, Pramoedya’s critics on the cultural matters in Bukan Pasar Malam is less caustic. In his novel, he gave his comment on the attitude of the Javanese aristocrats including the concept of sepi ing pamrih as a Javanese way of life and being noble as the ettiquette. The concept of sepi ing pamrih means a value of not putting one’s self on the first priority. In a Javanese society, nobility is shown by the freedom of vested interest (pamrih). He emphasized this attitude through the first person character and his father inthis particular work. The author wants to show in this novel that Javanese people would have an inner peace by implementing sepi ing pamrih. The nobility of Javanese people is represented in the novel. It is implied a physical meaning, that is not using a rising tone, being polite, and well-manered. Pramoedya depicted those attitude through the characters in Bukan Pasar Malam. It is summed up that that Pramoedya responded positively to that particular culture.

참고문헌 (18)

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  8. Toer, Pramoedya Ananta, "Bukan Pasar Malam" (1951), Balai Pustaka
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  12. Toer, Pramoedya Ananta, "Jejak Langkah" (1985), Hasta Mitra
  13. Toer, Pramoedya Ananta, "Rumah Kaca" (1988), Hasta Mitra
  14. Selosoemardjan, "Social Changes in Yogyakarta" (1962), Cornell University Press
  15. Soetrisno, "Falsafah Hidup Pancasila sebagaimana Tercermin dalam Falsafah Hidup Orang Jawa" (1977), Pandawa
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