茅盾의 『子夜』 소고
A Brief Study of Mao Dun’s 『Ziye(Midnight)』
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So-called April 12 Incident was the turning point of National Revolution of China. The practice and values of previous revolution was reconsidered and various group and class came to try to find new imagination and practice of revolution. Under this circumstance, aims of literature had shifted from establishing modern morality and enlightening the nation to awaring the historical stage and realities of current society and imaging new modernity. Mad Dun’ Ziye(子夜, Midnight) showed the collapse of the Principle of Minsheng and the promotion of industry which was corresponded to the national bourgeoisie, Wu Sun Fu’s various activity in the system of Nanjing Nationalist Government.
Abstract
So-called April 12 Incident was the turning point of National Revolution of China. The practice and values of previous revolution was reconsidered and various group and class came to try to find new imagination and practice of revolution. Under this circumstance, aims of literature had shifted from establishing modern morality and enlightening the nation to awaring the historical stage and realities of current society and imaging new modernity. Mad Dun’ Ziye(子夜, Midnight) showed the collapse of the Principle of Minsheng and the promotion of industry which was corresponded to the national bourgeoisie, Wu Sun Fu’s various activity in the system of Nanjing Nationalist Government.
참고문헌 (7)
- 茅盾, "茅盾全集 3" (1984), 人民文學出版社
- 茅盾, "“革命文學”論爭資料選集⋅下" (1981), 人民文學出版社
- 홍석표, "중국현대문학사" (2009), 이화여자대학교출판부
- 정진배, "『子夜』 읽기의 한 유형―글쓰기와 역사성의 문제", 중국어문학논집, 15 (2000), 중국어문학연구회
- Arif Dirlik, "Revolution and History" (1978), University of California Press
- David Der-wei Wang, "Fictional Realism in 20th―Century China" (1992), Columbia University Press
- Joseph W. Esherick, "Remaking the Chinese City: Modernity and National Identity, 1900-1950" (1999), University of Hawai‘i Press