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越劇 ≪春香傳≫의 서사적 변모양상

The Transformation of Yueju Chunxiangzhuan

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주제분류중국어와문학

초록

Chunhuangjeon expressed life and love in a lively and moving way, It has been transformed into various forms by numerous virsions. In China, it was converted into yueju(越劇) Chunxiangzhuan in 1954. The purpose to deal with this issue is in order to examine the transformation by comparing it with other editions. Chunhuangjeon conveys a number of semantic elements, and what appears in common can be condensed into the pursuit of love and chastity, identity conflict and resolution, and government-civilian conflict and resolution. These semantics are so closely intertwined that it is impossible to define a particular scene separately, and can be properly identified in the narrative context of the work. Looking at the changing patterns of these semantics is an important indicator of the value of the edition. The purpose of this paper is to look at the transformation patterns of these semantics, to reveal what the orientation of these transformations is, and to deduce the causes of the transformation.

Abstract

Chunhuangjeon expressed life and love in a lively and moving way, It has been transformed into various forms by numerous virsions. In China, it was converted into yueju(越劇) Chunxiangzhuan in 1954. The purpose to deal with this issue is in order to examine the transformation by comparing it with other editions. Chunhuangjeon conveys a number of semantic elements, and what appears in common can be condensed into the pursuit of love and chastity, identity conflict and resolution, and government-civilian conflict and resolution. These semantics are so closely intertwined that it is impossible to define a particular scene separately, and can be properly identified in the narrative context of the work. Looking at the changing patterns of these semantics is an important indicator of the value of the edition. The purpose of this paper is to look at the transformation patterns of these semantics, to reveal what the orientation of these transformations is, and to deduce the causes of the transformation.

참고문헌 (14)

  1. 莊志, "春香傳", 华東地方戏曲丛刊, 4 (1955)
  2. 구자균, "春香傳" (1970), 민중서관
  3. 김진영, "명창 장자백 창본 춘향가" (1996), 박이정
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  5. 성기수, "완판84장 완서계서포본 춘향전" (2013), 글솟대
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  8. 전영진, "춘향전" (1995), 흥신문화사
  9. 강한영, "판소리" (1988), 신아출판사
  10. 김병국, "춘향전 어떻게 읽을 것인가" (1993), 신영출판사
  11. 신동흔, "서사 문학과 현실 그리고 꿈" (2009), 소명출판
  12. 정하영, "춘향전의 탐구" (2005), 집문당
  13. 한국공연문화학회, "춘향예술의 양식적 분화와 세계성" (2004), 박이정
  14. 楊昭全, "當代中朝中韓關係史" (2013), 吉林文史出版社

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