越劇 ≪春香傳≫에 나타난 春香 형상의 변모— 唱劇 ≪春香傳≫과 비교를 중심으로
Transformation of Chunhyang in Yueju Chunxiangzhuan— Comparison with Changgeuk Chunhyangjeon
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참고문헌
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초록
The topic in this study is about the character of Chunhyang in the Chinese Yue opera Chunxiangzhuan(1954). In order to approach the subject, need to understand both various versions of Chunhyangjeon and the original work that influenced the Yue opera Chunxiangzhuan. Yue opera Chunxiangzhuan is an remake of the script of the North’s National Classical Arts Theater. At a similar time, Cho Un(1900~?) and Park Taewon(1910~1986) arranged the Chunhyangjeon in Changgeuk. In North Korea, Changgeuk Chunhyangjeon was performed in December 1954 with a major revision by Jo Un and Park Taewon. The Yue Oprea of Chunxiangzhuan is not an translation of Changgeuk Chunhyangjeon. However, the timing of the production is close, the composition and title of the act and scene is almost identical, and considerable similarities can be found in contents and stage direction. The purpose of this study is to examine the similarities and differences between the two works, focusing on the character of the Chunhyang, and to identify the causes of the two works.
Abstract
The topic in this study is about the character of Chunhyang in the Chinese Yue opera Chunxiangzhuan(1954). In order to approach the subject, need to understand both various versions of Chunhyangjeon and the original work that influenced the Yue opera Chunxiangzhuan. Yue opera Chunxiangzhuan is an remake of the script of the North’s National Classical Arts Theater. At a similar time, Cho Un(1900~?) and Park Taewon(1910~1986) arranged the Chunhyangjeon in Changgeuk. In North Korea, Changgeuk Chunhyangjeon was performed in December 1954 with a major revision by Jo Un and Park Taewon. The Yue Oprea of Chunxiangzhuan is not an translation of Changgeuk Chunhyangjeon. However, the timing of the production is close, the composition and title of the act and scene is almost identical, and considerable similarities can be found in contents and stage direction. The purpose of this study is to examine the similarities and differences between the two works, focusing on the character of the Chunhyang, and to identify the causes of the two works.
참고문헌 (9)
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- 박태원, "박태원 중편집", pp.121~122 (2013), 지식을 만드는 지식
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- 한국공연문화학회, "춘향예술의 양식적 분화와 세계성" (2004), 박이정
- 한응만, "해방후조선음악" (1956), 조선작곡가동맹출판사
- 박태원, "춘향전 탐독은 이미 就學以前", 문장 (1940)
- 박재영, "나의 아버지 구보 박태원", 문예운동, (90) (2006), 문예운동사
