서정주의 ‘신라정신’론에 대한 재론 - 윤리의식과 정치적 무의식 비판을 중심으로 -
Reviewing Seo Jeongju’s Poetics of Shilla-Spirit - Its ethical consciousness and political unconsciousness -
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This paper aims to investigate the poetics of Shilla-Spirit(新羅精神) in order to reveal its aesthetic strategy and its ideological limits together. Especially, I tried to analyze the ethical consciousness and political unconsciousness of the poetics of Shilla-Spirit, and to criticize its meaning not only in the political and cultural context of 1960s in Korea, but also in the existential context of poet’s private life. Ethics of devotion as the death consciousness (which is) is inherent in the poetics of Shilla-Spirit. Midang discovered the ethics of devotion from the death of the mythical heroes in Shilla. He regarded their belief in eternity, or the psychomancy between the living and the dying, as the most fundamental tradition consciousness to be transmitted to posterity. This ethics of devotion shows Midang’s nationalistic view as the ideological basis of Shilla-Spirit. Originally, Midang’s nationalistic view appeared in the pro-Japnese poetry which aestheticised the inforced death of colonial subject as the death for Japanese Emperor. In this way, Midang fell into the ethnic community’s ethics oppressing individual liberty. Especially, the implicit connection between nationalism of 1960’s and the poetics of Shilla-Spirit was well revealed not only when Midang regarded ‘Shilla-Spirit’ as the national leader's virtue, or the philosophy of managing the nation, but when Midang showed the fascistic and anticommunistic bias during the debate with Kim Jonggil.
Abstract
This paper aims to investigate the poetics of Shilla-Spirit(新羅精神) in order to reveal its aesthetic strategy and its ideological limits together. Especially, I tried to analyze the ethical consciousness and political unconsciousness of the poetics of Shilla-Spirit, and to criticize its meaning not only in the political and cultural context of 1960s in Korea, but also in the existential context of poet’s private life. Ethics of devotion as the death consciousness (which is) is inherent in the poetics of Shilla-Spirit. Midang discovered the ethics of devotion from the death of the mythical heroes in Shilla. He regarded their belief in eternity, or the psychomancy between the living and the dying, as the most fundamental tradition consciousness to be transmitted to posterity. This ethics of devotion shows Midang’s nationalistic view as the ideological basis of Shilla-Spirit. Originally, Midang’s nationalistic view appeared in the pro-Japnese poetry which aestheticised the inforced death of colonial subject as the death for Japanese Emperor. In this way, Midang fell into the ethnic community’s ethics oppressing individual liberty. Especially, the implicit connection between nationalism of 1960’s and the poetics of Shilla-Spirit was well revealed not only when Midang regarded ‘Shilla-Spirit’ as the national leader's virtue, or the philosophy of managing the nation, but when Midang showed the fascistic and anticommunistic bias during the debate with Kim Jonggil.
참고문헌 (29)
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