일제 말기 박태원 소설의 장르 전이 양상 연구 - 소년탐정소설과 사소설을 중심으로 -

Abstract

This study prescribes the last Japanese imperialism as the time when genre change gets noticeable and attempts to examine relevant aspects of I-novel creation and children’s literature of Park, Tae-won in this perspective. The last Japanese imperialism was the time when replacement between literature genres was activated,responding to the rapid transformation of the norm system. Park, Tae-won created existing minor genres, children's literature and I-novel, responding to the rapid change of the literature system. Park, Tae-won comprehensively dealt with the problems of danger, anxiety, death incorporated into the realm of everyday life under the special context of colony Joseon, acceleration of the war basis through boy’s detective novel. He created more active characters than those in adult literature, properly using the genre norm of children's literature in 「Boy detective group」. Through this, he tried to expand the possibility that can overcome fear of the day. And as the genre was translated from children's literature to I-novel, he reviewed the aspect transforming and expanding the same topic and motif despite the different genre norm. Going through 1940, Park, Tae-won dealt with the topics of fear and anxiety in the introspective way through I-novel style. In particular, 「Tudo (stealing)」, 「Chaega」, I-novels of Park, Tae-won has the characteristic that aesthetically compressed symbol and allegory, implied aphorism are inserted into the text very abundantly. At the same time, they can be evaluated as I-novels with very stratified and complex meaning through genre-translation of fairy tale works. This is different from that Japanese I-novel is mainly focused on exposing ego of an transparent writer. His I-novel tried to shape contemporary realities in the indirect form. This is the creative result of I-novel of Park, Tae-won.