삶과 죽음의 경계, 상여 장식물의 이중적 구조

Abstract

period time of the Joseon Dynasty, Korean Buddhist cremation(火葬) is reconstructed by the new Confucian culture ideology, which is include funeral culture, funeral bier Sang-yeo (丧舆) appearances bonuses in the customary culture, late period of the Joseon Dynasty, the Korean became to develop agriculture, commerce and economic that general cultural society was emerged private sector with this led them to a bonus Sang-yeo ornament a growing variety of sizes, while slashing their appearance became brilliant. This variety decorations icon of ornaments followed the art ears that contained to accumulated Confucian, Buddhism, Taoism, showing a mix of symbolic meaning, but, looking at art Gye-Se-Jeok(继世的) in the mural painting of the Goguryeo ancient tombs view, which was the shamanism attributed as a death did not disrupt way. The spiritual trip to help of the primitive bird, origin of father reminiscent, and a totem symbolizes of the tiger through, Sang-yeo ornaments are the death could be as a trip, also a dead spirit objection became decedent's ancestral spirit and the same life you wanted to come back into the space was filled with hope. The Sang-yeo ornaments showed Gye-Se-Jeok shamanism view, this world, the background was the late period of the Joseon Dynasty, Korean community, and the economic system, it meltdown to Confucian statue system changed to the populace consciousness structure had been the rise on the surface, also a populace culture awareness was emerged by shamanism culture background. It was prevalent contemporary, Sang-yeo ornaments, and structure form similar with the Korean folk tale(民畵) icons, mostly populace hope’s affect to magical way; in fact it had been deployed by the Korean shamanism framework. Confucian rationalism in the incomprehensible(不可解) were present in one area, the death rituals of the people of the area, the substrate backbone in the world view of life as an extension of shamanism thought was more realistic and enriched representation. We went through the funeral customary culture of death, which was human beings go to the top of the complex psychological process for the ritual washed out from the fear, negative emotions and painful feelings condolences to the mourning of the device was destroyed naturally. In the process, the most spectacular flowers of mourning rituals Sang-yeo ornaments work, the artistic imagination work were messaged the death had begun to hope for.