谷崎文学における影と光の表象 ─ 視覚的な肉体美の表出 ─

Abstract

It was considered forcusing on “gold death” and “idiot's love” what kind of literary world you tried to express in writing through the longitude and latitude of the making and the movie of a movie of Tanizaki interested in the media which become the center of the time. Mr. male main character Okamura of “gold death” applies gold foil the form by “artificial paradise”, makes it the form of “arhat bodhisattva” and makes “demon ogre” act, but for human body and that also to embody female beauty in a male body I die. His death is a visual physical function, I concern the pleasant sensation to which I say “It's seen.” That's as a result of the pursuit of the beauty of “man with female beauty” Mr. Okamura is talking about. Mr. Okamura produced “of a body, perfect” aesthetic appreciation by the= masochism which “is seen”, and that came to “gold death” by an accident, I'll get a word. He tried to embody permanency of living beauty and infinity through Mr. Okamura's artificial heaven and mortality, but Tanizaki couldn't be sublimated. After that Tanizaki loads the various material in a film, produces a movie for embodiment of the world of eternal beauty of a visual physical function and finds female body beauty through a screen. Tanizaki borrows expressive form as a movie because a living female body is form-ized as an eternal lady in Western way. The desire by which he was touched by an American movie off, I tried to achieve the world through character Naomi of “idiot's love”. The technology by which it's photography that Kawai says a movie, as the means, the world, just like, I recognize that it's that I copy, record and become a symbol. He asks Western female body and “white” from her because Naomi's female body is symbol-ized. Naomi accepts Kawai's request and moreover behaves like a character of a movie naturally. A point-like symbol of a modern girl is born and gains the eternal female beauty by the sight by approach to Kawai's movie.