The Colonial-Imperial Regime and Its Effects: Writer Kim Sa-ryang as an Ex-ception
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This paper attempts to contemplate the objectification and deobjectification of former colonies. It contains a critical examination of the three broad perspectives on this issue: the theory of colonial exploitation, colonial modernization, and colonial modernity. It also introduces the concept of the colonial-imperial regime, understanding the regime as an unequal and asymmetrical one in which discrimination and oppression were internally structured. The regime is not a single simple structure characterized by the relations between the controlling and the controlled, but a compound structure in which subjectivity is formed by organizing and arranging life, behaviors, and knowledge in a specific manner. Based on these concepts, this paper focuses on the peculiar case of writer Kim Sa-ryang. By studying his case, it is possible to learn how the colonial-imperial regime strove to segregate citizens from non-citizens and humans from non-humans so as to turn the latter two types into nonentities. The abject subject unveiled by delving into the person and works of Kim Sa-ryang can be described as a personage who is a living testimony to the sociopolitical order that affected segregation along those splitting lines while at the same time personifying a character who is the product of resistance against the forms of subjectification imposed by rulers.
Abstract
This paper attempts to contemplate the objectification and deobjectification of former colonies. It contains a critical examination of the three broad perspectives on this issue: the theory of colonial exploitation, colonial modernization, and colonial modernity. It also introduces the concept of the colonial-imperial regime, understanding the regime as an unequal and asymmetrical one in which discrimination and oppression were internally structured. The regime is not a single simple structure characterized by the relations between the controlling and the controlled, but a compound structure in which subjectivity is formed by organizing and arranging life, behaviors, and knowledge in a specific manner. Based on these concepts, this paper focuses on the peculiar case of writer Kim Sa-ryang. By studying his case, it is possible to learn how the colonial-imperial regime strove to segregate citizens from non-citizens and humans from non-humans so as to turn the latter two types into nonentities. The abject subject unveiled by delving into the person and works of Kim Sa-ryang can be described as a personage who is a living testimony to the sociopolitical order that affected segregation along those splitting lines while at the same time personifying a character who is the product of resistance against the forms of subjectification imposed by rulers.
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