비극적 욕망의 아포리즘 - 임노월 작품을 중심으로

Abstract

This study analyzes the value of the work by No-wol Im Jang-hwa (hereinafter referred to as Im No-wol), who argued for aesthetics and demonism that were not noticed in the paragraph, through Del£z's theory. Unlike other works with deep enlightenment of the time, Im No-wol's work as writer is one that deviates from the literature demanded by the times and pursues only artistry, or aesthetics. Rather than the thorough logic shown in the work, he focused on "attitude" and "sense" to claim an aesthetic spirit. This paper would like to analyze this literary museum through dismantling reasons. Based on a study that analyzed Lim No-wol's work, which was largely out of the literary museum demanded by the times and paragraphs, from a previously demonic and aesthetic point of view, this research analyzes the work in the dimension of "desire." In addition, the main character of Im No-wol's novel is a divisive figure, and this research was conducted to understand the contradiction of the tragic death at the end of the novel by linking it to the problem of desire. The goal is to consider the brutal ending determined in terms of desire at a generative level. This research analyzes Im No-wol's work, which did not betray the romanticism of aesthetics and literature, in terms of desire and creation, and explore his literary beliefs that expressed the concept of "Neutron" with a creative sense despite the atmosphere of his time.