이옥의 중국문학 수용과 「市記」에서의 구현양상 및 통속성

Abstract

In the late 18th century, persistence of seong Confucian view of literature and reaction against it were mingled. Collision became so acute that it just provoked Jeongjo’s Munchebanjeong. At that time, Joseon overcame the chaos of the Japanese invasion of Korea in 1592 and the Manchu Invasion of Korea in 1636, after that was establishing a new judgment about Qing Dynasty by cultural exchange. As a result, various literary experimentations done at the era of Ming⋅Qing were imported. After influx, authentic Chinese classics reacted to ‘Paegwansopum’ by contempt and the Purification Campaign about style. Lee Ok accepted Gonganpa’s experimental literary theory and absorbed 『JIN PING MEI』, 『The Carnal Prayer Mat』, 『Banqiao Zaji』 written at the era of Ming⋅Qing. After absorbtion, he devotes his works to terminologies as below. Namely, literary sincerity, interest about People’s lives, description of feeling between man and woman, personal movement. Such a literary trend is quite far from a class who value personal self-discipline and accomplishing sense of responsibility about nation. This thesis studied how Lee Ok absorbed the Gongan school’s ideology and how their ideology was realized and changed on his work 「a writing for market」. He tried new narrative and description, took a creative attitude towards personal movement, showed interest who were not socially paid attention. Finally he got literary sincerity. we can identify his literary criticism and creation energized a society ideollogically standardized. Lee Ok’s literary criticism and creation was not an individual writing. His creation could trigger an uproar arousing social diversity. He accomplished a growing outcome by creating works closely to folklife without being tied up at Chinese opuscule.