오페라<카르멘> 주인공 배우의 분장색채와 관객들의 감성이미지 분석
Analysis of Opera <Carmen> Main Character Actress Makeup Color and Audience’s Emotional Image
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The objective of this study is to analyze the image of the makeup color of the main character of the opera Carmen, which was expressed based on the period background, and then to make a empirical analysis of what emotional image the audience has through the main character actress's makeup color. For this, the color analysis of 19th century paintings and opera main character actress’s color analysis of the opera Carmen was carried out through the adjective image scale from the I. R. I Color Design Institute were extracted. The main results from the analysis are as follows: First, the image of the Gypsy expressed in the 19th century portraits and the actress's makeup color of opera Carmen have not changed much according to the director, and the common characteristics of the Carmen main actress's are clear. Second, the audience's sensitivity to the main character actress’s makeup of the opera Carmen by performance was analyzed, and the emotional images of the audience's four types of makeup were found to be very different. However, it was confirmed that the audience looked almost alike regardless of gender or age. The results of this study can provide implication in the production of opera actress’s makeup color, and in further studies, the researches on how to use various colors in the opera actress’s makeup will need to be carried out.
Abstract
The objective of this study is to analyze the image of the makeup color of the main character of the opera Carmen, which was expressed based on the period background, and then to make a empirical analysis of what emotional image the audience has through the main character actress's makeup color. For this, the color analysis of 19th century paintings and opera main character actress’s color analysis of the opera Carmen was carried out through the adjective image scale from the I. R. I Color Design Institute were extracted. The main results from the analysis are as follows: First, the image of the Gypsy expressed in the 19th century portraits and the actress's makeup color of opera Carmen have not changed much according to the director, and the common characteristics of the Carmen main actress's are clear. Second, the audience's sensitivity to the main character actress’s makeup of the opera Carmen by performance was analyzed, and the emotional images of the audience's four types of makeup were found to be very different. However, it was confirmed that the audience looked almost alike regardless of gender or age. The results of this study can provide implication in the production of opera actress’s makeup color, and in further studies, the researches on how to use various colors in the opera actress’s makeup will need to be carried out.
참고문헌 (25)
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