본문 바로가기
KERD
논문KCI 등재

표현주의 회화적 기법을 응용한 분장이미지 연구 - 오페라 천생연분을 중심으로 -

A Study on stage makeup image by the expressionism painting application method - Focused on korean creation opera ‘Wedding’ -

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

초록

Performing arts are considered a core part in the cultural arts which lead the fame of new Korean wave and the stage makeup in the cultural arts affect the performing culture as the artistic field which has been diversified by the expressive techniques. The purpose of this study analyzed the stage makeup for the Korean creation opera ‘Wedding’ and attempted Korean stage makeup design by presenting new outlook and direction for ingenious unique design based on expressionism. In the expression of color in this opera, the harmony of color to represent psychology was used to enhance drawing the attention and for symbolic expressions. Also, this opera took masks as the medium to draw imagery of unifying the internal and external aspect which are coexistence in human being and took formative arts with strings. The strings used in the opera were colored to express characters’ internal desires through the changes of twisting strings. The expressive imagery masks and flat application work were visualized the characters’ personalities which were delivering the opera. The produced work made a plan and to create new characters and story by using the Photoshop which maximized the expressive method based with masks. This study proposed a creative stage makeup design through different design elements which applied by the motif of expressionism painting method presented on wooden puppets in the opera ‘Wedding’ and utilized artistic formativeness. This thesis has a meaning of progressive development of stage makeup design to extend wider field of art form not limited in the partial field of performing arts.

Abstract

Performing arts are considered a core part in the cultural arts which lead the fame of new Korean wave and the stage makeup in the cultural arts affect the performing culture as the artistic field which has been diversified by the expressive techniques. The purpose of this study analyzed the stage makeup for the Korean creation opera ‘Wedding’ and attempted Korean stage makeup design by presenting new outlook and direction for ingenious unique design based on expressionism. In the expression of color in this opera, the harmony of color to represent psychology was used to enhance drawing the attention and for symbolic expressions. Also, this opera took masks as the medium to draw imagery of unifying the internal and external aspect which are coexistence in human being and took formative arts with strings. The strings used in the opera were colored to express characters’ internal desires through the changes of twisting strings. The expressive imagery masks and flat application work were visualized the characters’ personalities which were delivering the opera. The produced work made a plan and to create new characters and story by using the Photoshop which maximized the expressive method based with masks. This study proposed a creative stage makeup design through different design elements which applied by the motif of expressionism painting method presented on wooden puppets in the opera ‘Wedding’ and utilized artistic formativeness. This thesis has a meaning of progressive development of stage makeup design to extend wider field of art form not limited in the partial field of performing arts.

참고문헌 (28)

  1. 노버튼 린튼, "표현주의", pp.7~ (1988), 열화당
  2. 하요 뒤히팅, "표현주의", pp.7~ (2007), 미술문화
  3. 이영유, "표현주의적 사고에 기초한 인체의 조형표현연구 : 본인 작품을 중심으로", 석사, 섬유미술학, pp.2009
  4. 노버트 린튼, "표현주의", pp.12~ (1988), 열화당
  5. 정미희, "독일표현주의 미술", pp.120~ (1990), 일지사
  6. 콜린 길버트, "예술여행", pp.190~ (2011), 도서출판 대가
  7. 수지 하지, "위대한 예술", pp.153~ (2012), 지식갤러리
  8. 타타르키비츠, "예술개념의 역사", pp.85~ (1996), 열화당
  9. 양 순, "색채와 질감을 통한 자연 이미지에 대한 연구 : 본인의 작품을 중심으로", 석사, 색채전공, pp.2012
  10. 롤프 스테너센, "에드바르드 뭉크", pp.111~ (2003), 눈빛
  11. 김광우, "뭉크, 쉴레, 클림트의 표현주의", pp.22~ (2003), 미술문화
  12. 김숙경, "칸딘스키", pp.109~ (2006), 재원
  13. E. B. 펠트만, "미술의 구조적 이해", pp.13~ (1983), 열화당
  14. 임미옥, "표현주의 회화의 특성에 관한 연구 : 연구 작품을 중심으로", 석사, 산업디자인학, pp.2011
  15. 趙美惠, ""독일표현주의 작가 분석" : 다리파와 청기사파 중심으로", 석사, pp.1990
  16. 롤프 스네이더르, "그림속의 여인 100", pp.148~ (2009), 서강출판사
  17. 최병진, "표현주의 화가들", pp.92~ (2009), 마로니에북스
  18. 이선화, "골상학의 차이에 따른 분장술의 변화점 연구", 석사, 공연예술학과 뮤지컬, pp.연극제작·연출·연기전공, 2012
  19. 이상훈, "분장의 세계", pp.37~ (2000), 고문사
  20. 김정희, "분장의 기초", pp.12~ (2010), 현문사
  21. 오영철, "TV사극에 표현된 분장사례연구 : MBC사극드라마 「이산」을 中心으로", 석사, 뷰티디자인전공, pp.2013
  22. 강대영, "한국분장예술", pp.30~ (1999), 지인당
  23. 전인미, "성격유형별 무대 분장디자인 모형 구축에 관한 연구", 석사, 분장·공연의상, pp.2006
  24. 장병인, "분장의 정석", pp.100~ (2012), 두엄
  25. 구유진, "무대분장의 제작과정과 발레오페라뮤지컬의 분장 테크닉차이점에 대한 고찰", pp.122~ (2007), 뷰티디자인학회
  26. "한겨레 뉴스. 2006. 9. 24", ~ (2006)
  27. 임일진, "오페라 천생연분 팜플렛", 국립오페라단, 22~35 (2006)
  28. 김정해, "좋아 보이는 것들의 비밀 컬러", pp.95~ (2011), 길벗

관련 논문AI추천

이 간행물의 다른 논문 (9건)