오페라에서 노역분장의 표현
The Expression of Old-Age Makeup in Opera Performance
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Stage makeup is an important field of visual art, particularly in opera performances where it becomes a means of communication, helping the audience to understand the character's personality. The current study examined two characters in their 50’s, 'Germont' of 'La Traviata' and 'Amonasro' of 'Ida'. These two characters may be of similar age, however they have different internal and external environments in the play. We analyzed the expressions created by stage makeup which differ according to the character. The expression elements and basic elements of the face were analyzed, and characteristics were derived based on the results. The offstage makeup used in opera performances does not objectively express age, but reflects the internal and external environments of the character's personality, occupation, and health, so that the age expression is appropriate to these characteristics. In an opera, the expression elements suitable for the character and the basic elements of the face appear as a single image which becomes the character impression used to effectively communicate using a visual rather than auditory language.
Abstract
Stage makeup is an important field of visual art, particularly in opera performances where it becomes a means of communication, helping the audience to understand the character's personality. The current study examined two characters in their 50’s, 'Germont' of 'La Traviata' and 'Amonasro' of 'Ida'. These two characters may be of similar age, however they have different internal and external environments in the play. We analyzed the expressions created by stage makeup which differ according to the character. The expression elements and basic elements of the face were analyzed, and characteristics were derived based on the results. The offstage makeup used in opera performances does not objectively express age, but reflects the internal and external environments of the character's personality, occupation, and health, so that the age expression is appropriate to these characteristics. In an opera, the expression elements suitable for the character and the basic elements of the face appear as a single image which becomes the character impression used to effectively communicate using a visual rather than auditory language.
참고문헌 (24)
- Choi YU, "An effect of hair style on stage makeup completion level focusing on opera manon lescaut", Master, Department of Beauty Art & Design, pp.2010
- Cho MU, "A study on the dissolution phenomenon in modern hairstyles", Master, Department of Costume, pp.1999
- Chung EH, "A study on a stage makeup for an opera", Master, Department of Beauty Art Management, pp.2011
- Jeon IM, "A study on the development of a model for stage make-up design by personality types", Master, Department of Fashion Art, pp.2006
- 강대영, "남성의 수염디자인이 인상 형성에 미치는 영향", 한국디자인문화학회지, 18(2), pp.199~213 (2012), 한국디자인문화학회[DOI]
- Kang DY, "Korea makeup art", pp.93~94 (2006), Jindang
- Kang EM, "A study on character image and style based on analysis of physiognomical image of movie actors", Master, Department of Beauty Art, pp.2010
- 강은미, "무대에 적용되는 성격분장에 관한 사례연구 - 연극 <샤이오의 광녀>를 중심으로 -", 복식, 59(7), pp.86~99 (2009), 한국복식학회
- Kang MS, "A study on the characteristics of applied materials according to the expression method of old-age make up", Master, Department of Fashion Art & Design, pp.2004
- Kim HJ, "A study on design and production of opera theatrical costume", J Kor Soc Knit Des, 3, pp.1~12 (2005)
- Kim HJ, "A study on design and production of opera theatrical costume", J Kor Soc Knit Des, 3, pp.1~12 (2008)
- Kim YH, "A study on the old man makeup technique tobe used for various image mediumskim", J Kor Soc B&A, 4, pp.239~254 (2003)
- 김영주, "특수 노역분장에 관한 연구", 석사, 패션예술학과 분장·공연의상전공, pp.2014
- Kim YS, "The study of old man make-up according to facial bone structure and muscle", J Kor Soc B&A, 4, pp.63~74 (2003)
- Make up, "KACES", Korea Arts & Culture Education Service, 16~20 (2011)
- Lee GR, "A case study of stage makeup in terms of the theory of representation", J Kor Soc B&A, 13, pp.47~60 (2015)
- Lee JA, "A preliminary study of genre convergence between opera and theatre", Master, Department of Theater, pp.2019
- Lee JY, "A study on the character make-up in opera carmen", J Kor Soc B&A, 6, pp.143~157 (2005)
- Nam KH, "A study on makeup based on CG expression technique focusing on the time goes backwards in the movie Benjamin Button", Master, Department of Beauty Art & Design, pp.2009
- Park DH, "A study on personality make-up in visual historical drama", J Kor Soc B&A, 5, pp.5~19 (2007)
- Park YH, "Understanding of makeup art", pp.17~ (2005), Daekyung University Industry-Academic Cooperation Foundation
- Yang HJ, "A study on make-up for the seniors in the Korean movies and on the characters on each period-in movies during 2001-2005", Master, Department of Fashion Art, pp.2006
- 유명의, "오페라 ‘아이다’ 무대의상에 관한 고찰", 조형미디어학, 16(2), pp.119~128 (2013), 한국일러스아트학회
- Yoon PS, "A study on the historical transition and correlation between music and drama of western music theater focusing on opera reform", Doctor, Department of Culture Content, pp.2017