프랑스어권 콩고민주공화국의 콩고연합(Bundu dia Kongo: BDK) 노래에 나타난 바콩고인 정체성
Les identités Bakongo présentées dans les chansons de Bundu dia Kongo (BDK) de la francophone République démocratique du Congo
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Il est d'autant plus nécessaire de restaurer et de redéfinir l'identité historique et culturelle de l'Afrique, que la plupart des études africaines, y compris celles de l'histoire, n'arrivent pas s'echapper à la perspective eurocentrique. En tant que méthodologie historique pour la recherche d'une «nouvelle histoire de l'Afrique», il nous semble important d'étudier les traditions orales et la culture populaire de l'Afrique. Les chansons seraient ainsi des ressources importantes pour étudier les modes de pensée des Africains. Étant donné que chaque chanson provient d'une communauté ou des gens normaux, elle reflèterait éventuellement les opinions de la société et des individus. Les colons belges ont su que les performances culturelles du peuple Bakongo jouaient un rôle important dans la création ou la destruction de l'autorité politique et religieuse. C'est la raison pour laquelle les belges ont interdit les performances culturelles afin d'empêcher la résistance des populations Bakongo.
Abstract
Il est d'autant plus nécessaire de restaurer et de redéfinir l'identité historique et culturelle de l'Afrique, que la plupart des études africaines, y compris celles de l'histoire, n'arrivent pas s'echapper à la perspective eurocentrique. En tant que méthodologie historique pour la recherche d'une «nouvelle histoire de l'Afrique», il nous semble important d'étudier les traditions orales et la culture populaire de l'Afrique. Les chansons seraient ainsi des ressources importantes pour étudier les modes de pensée des Africains. Étant donné que chaque chanson provient d'une communauté ou des gens normaux, elle reflèterait éventuellement les opinions de la société et des individus. Les colons belges ont su que les performances culturelles du peuple Bakongo jouaient un rôle important dans la création ou la destruction de l'autorité politique et religieuse. C'est la raison pour laquelle les belges ont interdit les performances culturelles afin d'empêcher la résistance des populations Bakongo.
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