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『文学案内』誌研究Ⅲ─報告文学の実践と集団制作『東洋の一日』

The study of <Bungaku-Annai>magazine, No3-the practice of Reportage and <One day in the East>as the group works

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주제분류학제간연구

초록

This study aims of analyzing the literary argument of Reportage which was argued by Kishi-Yamaji and <One day in the East> as the group works which was invited public participation as the practice of it in <Bungaku-Annai> magazine. By the way, <One day in the East> as the group works was practiced in response to <One day in the world> which Gorky proposed it.  First of all, in relation to genre of Reportage those essays is rare at Japan and Korea. Therefore, I will examine Reportage in Chinese literature for reference. Because in the Chinese literature the Reportage is systematized and reaches it at the present. The following part, I’m going to examine the literary argument of Reportage on <Bungaku Annai> magazine, and make clear difference with it of Chinese literature. And lastly, I will analyze <One day in the East> as the group works . <One day in the East> was written just after The February 26 Incident(on February 26, 1936). Therefore, <One day in the East> was described with this incident in the view points of workers who directly witnessed it. And I will reevaluate their analysis of those days. In analyzing the view of The Showa 10s which was described in <One day in the East>, I think that we can have a glimpse of The Showa 10s Japan.

Abstract

This study aims of analyzing the literary argument of Reportage which was argued by Kishi-Yamaji and <One day in the East> as the group works which was invited public participation as the practice of it in <Bungaku-Annai> magazine. By the way, <One day in the East> as the group works was practiced in response to <One day in the world> which Gorky proposed it.  First of all, in relation to genre of Reportage those essays is rare at Japan and Korea. Therefore, I will examine Reportage in Chinese literature for reference. Because in the Chinese literature the Reportage is systematized and reaches it at the present. The following part, I’m going to examine the literary argument of Reportage on <Bungaku Annai> magazine, and make clear difference with it of Chinese literature. And lastly, I will analyze <One day in the East> as the group works . <One day in the East> was written just after The February 26 Incident(on February 26, 1936). Therefore, <One day in the East> was described with this incident in the view points of workers who directly witnessed it. And I will reevaluate their analysis of those days. In analyzing the view of The Showa 10s which was described in <One day in the East>, I think that we can have a glimpse of The Showa 10s Japan.

참고문헌 (14)

  1. 金珍奎, "中国報告文学의 発展過程考察", 석사, pp.2003
  2. 李台薰, "‘左聯’時期 報告文學에 대한 硏究", 檀国大学校論文集, 33, pp.255~260 (1998)
  3. 홍석표, "中国現代文学史", pp.19~260 (2009), 梨花女子大学校出版部
  4. 江口圭一, "十五年戦争小史", pp.34~111 (1991), 青木書店
  5. 報告文の書き方, "貴司山治", 19~ (1935)
  6. 貴司山治, "これからの新しい作家は生産場面を描かねばならぬ─職場に働く人たちの文学の理解のために", pp.4~9 (1935), 文学案内
  7. 貴司山治, "小説の作り方(第四回)", pp.190~191 (1936), 文学案内
  8. 新日本出版社編集部, "後期プロレタリア文学評論集(1)", pp.386~393 (1990), 新日本出版社
  9. 徳永直, "生産場面をいかに描くか", pp.122~126 (1935), 文学案内
  10. 平野謙․, "現代日本文学論争史(上)", pp.351~358 (1956), 未来社
  11. 廣松渉, "近代の超克論", pp.103~104 (2003), 民音社
  12. 文学案内編集部, "東洋の一日", pp.44~56 (1936), 文学案内
  13. 文学案内編集部, "東洋の一日", pp.107~113 (1936), 文学案内
  14. 林非, "中国現代散文史", pp.15~229 (1993), 高麗院

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