북한 조선문학예술총동맹의 역사적 변천 (1946-53)

Abstract

This article explores the early historical changes of The Korean Literature and Arts Alliance, an organization of North Korean literary artists. The historical development process of North Korean literary organizations during the liberation of August 15 and the Korean War (1945-53) is summarized from the historical perspective of the literary movement. This is to dismantle the canon of the North Korean authorities, which is recognized only by the history of Juche literature, which made ‘anti-Japanese revolutionary literary art’ the only tradition. As an alternative, it is part of the Decanonization, which restores the history of the socialist literary and artistic movement, which takes KAPF as a new tradition, to live-action. Specifically, it analyzes daily newspaper literary articles such as Jeongro, Rodong Sinmun, and Democratic Joseon, and monthly literary articles such as Cultural Front and Literature Arts. Through him, the history of the literary organization is reorganized from the North Korean Arts Federation (1946.3) to the formation (1951.3) and dissolution (1953.9) of the Korean Literature and Arts Alliance, in which the two Koreas are integrated, through the North Korean Arts Federation (1946.3). It organizes the history of the 1st North Korean Artists’ Congress (1946.3) and the formation of the North Korean Arts Alliance, the 2nd North Korean Writers’ Congress (1946.10) and The North Korean Literature and Arts Alliance, the formation of The Korean Literature and Arts Alliance integrated with the ‘Literature and Arts Alliance Association of South and North Korea’, the formation of the 1st National Artists’ Congress and The Korean Literature and Arts Alliance, and the formation of the Korean Writers’ Alliance, focusing on organizational lines and ideologies. It summarizes the major creative achievements of the period along with the changes in the literary organization, but analyzes the issues such as strengthening the Party (黨) literary line through the ‘Promotion Incident’, the military activities of the integrated literary group during the war, and the controversy over the ‘Burgeois thought aesthetics’ through the ‘anti-sectarian struggle’.