『만담본보기충신장』(噺手本忠臣蔵)으로 보는 희작자와 만담가의 만담 창작법에 대하여

Abstract

Mainly Gesakusya Sinro-tei’s work Hanashibon “Hanashidehon-chusingura” (published　in 1796) and by comparing with Hanashika Katsura-bunzi’s Hanashibon “Kanadehon-chushingura”(published circa in 1804~1818) , I investigated the creative method of Gesakusya and Hanashika. Sinro-tei in many scenes that including the first stage, while using a person and text of the original Chushingura, at first but the same that story begins, the last result will be making full use of techniques such as subvert expectation of readers. This is the creative method that Katsura-bunzi inherits later. However, Sinro-tei quoted the text of the original directly, Katsura-bunzi that was in directly quote is different. On the other hand, the third stage and other stages, borrowed only original personal name, there is a case to be created talk nothing to do with the original. When viewed from the side of the original parody, Katsura-bunzi is made to further develop this creative method. In this way, Hanashika Katsura-bunzi inherited and developed the creative method of Gesakusya Sinro-tei.