고통의 문학적 재현 - 김시종의 원폭 관련 시를 중심으로 -
The Literary Reproduction of Agony - The Case of Atomic Bomb Featuring Poems by Kim Sijong -
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참고문헌
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초록
本稿は在日一世代詩人である金時鐘が描いた原爆詩を中心に、「苦痛の文学的再現」の考察とともに「苦痛」の本質を分析しようとした。 特に彼の詩集『地平線』と『日本風土記』に表れている原爆関連詩を通して、詩人は原爆をどういうふうに捉え描写したのか、また、彼の反戦への思想と認識はとういうふうに形像化してきたのかについて戦後詩の特質を吟味しながら文学的に探求した。 さらに詩人の「抒情」の意味についても追求した。彼は既存の被害だけを論じる日本の被爆ナショナリズムの図式を解体し、戦争責任及びアジアに対する加害の言説を原爆詩を通じて描いている。つづいて国家より差別をうけてきた在日の身体的․精神的苦痛に注目して、「他者」を見つけ出すことを通し「苦痛」に答える文学、「文学の倫理性」に関する省察をも考察してみた。「苦痛」を隠蔽しようとする社会や国家に対する在日の苦痛の本質を追及していこうと試みた。
Abstract
In this article, we focus on the poems of atomic bombs by Kim Sijong, a poem writer of the first generation Korean Japanese, in order to explore the essence of “agony” through the analysis of “literary reproduction of agony.” In particular, we target the poems included in Chiheisen and Nihon Fudoki, examining how the poem writer represented atomic bombs and how his thought and recognition of the anti‐warism had been configured. Furthermore, we investigated the meaning of his concept of “lyrical matter.” The poem writer deconstructs the picture of the preexisting Japanese nationalism of atomic exposure which only cares about the damages they suffered from, and through his poems featuring atomic bombs, depicts the statement that the country is to be recognized as a causer of the problem (rather than the victim). In addition, we consider the physical and mental pains of Korean Japanese suffering from discriminations by the nation, analyzing the literature which concerns “agony” through the depiction of “other persons” as well as the “ethics of literature.”The present article is an attempt to inquire into the essence of the agony of Korean Japanese against the society and the nation which try to hide such “agony.”
참고문헌 (8)
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