NHK 대하드라마를 통해 본 일본 미디어문화의 특징과 인물 변화 양상 연구 - 2009년~2018년 방영 드라마를 중심으로 -
A Study on Characteristics of the Japanese Media Culture and Changes of Protagonists Based on the Analysis of NHK Historical Dramas - Focusing on the NHK TV Dramas from 2009 to 2018 -
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초록
The NHK historical TV dramas feature a new protagonist every year, and they are re-produced through advertisement of the home town of a protagonist or publication of their original stories. Such media-mix effects yield synergetic effects, integrating the literature, the film, the computer game, the restoration of the tourism industry, and so on, and they are regarded as phenomena characteristic to the Japanese media culture. In the last decade, the NHK historical TV dramas have changed in various respects in line with the development of multi-media. They point towards future directions by presenting the ways in which people in old 3times overcame economic, political, cultural, and social problems and showing that these problems remain in the contemporary society. Furthermore, I show that these NHK dramas in the last decade boil down to notions such as the family-centralism, a new interpretation of history provided by a female protagonist, historic looser, and the breakthrough of supporting actors.
Abstract
The NHK historical TV dramas feature a new protagonist every year, and they are re-produced through advertisement of the home town of a protagonist or publication of their original stories. Such media-mix effects yield synergetic effects, integrating the literature, the film, the computer game, the restoration of the tourism industry, and so on, and they are regarded as phenomena characteristic to the Japanese media culture. In the last decade, the NHK historical TV dramas have changed in various respects in line with the development of multi-media. They point towards future directions by presenting the ways in which people in old 3times overcame economic, political, cultural, and social problems and showing that these problems remain in the contemporary society. Furthermore, I show that these NHK dramas in the last decade boil down to notions such as the family-centralism, a new interpretation of history provided by a female protagonist, historic looser, and the breakthrough of supporting actors.
참고문헌 (23)
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