「鵙屋春琴伝」- 슌킨과 사스케의 욕망구조 -라캉의 욕망이론을 중심으로-
<Mozuyashunkinnden> - Desire Structure of Shunkin and Saske -focused on Lacan’s desire theory-
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本稿では「鵙屋春琴伝」で登場する春琴と佐助の欲望構造をラカンの欲望理論を通して考察した。また春琴と佐助に現れる強迫神経症とスクビズム的な要素についても考えてみた。まず春琴の強迫神経症の原因は自らの肉体的な不完全のため象徴界の大他者を否定しようとするところに起因した。そして佐助のスクビズムはラカンのいう現実界と象徴界の典型としての宮廷風的な愛の様相に似ていることが分かった。春琴と佐助との愛は春琴の他者的な愛、そして佐助のナルシシズム的な愛に規定することができる。これは普通の男女間に現れる愛とは反対のことで、ラカンの性差理論が転覆したことであるといえよう。このような原因として春琴の場合、自分の欠如した主体であると認識し、その欠けているところを埋める対象aとして佐助を必要とした。つまり、佐助に三味線を教育しながら欠如した欲望を満たそうとしたのである。佐助の場合は女性的ジュイサンスである超越的な愛の形であって、佐助の自ら両眼を針で突いた行為とは、自分が理想的な女性と考えていた春琴を現実でも所有することのできた契機になったことで、これはラカンのいう現実界の愛を象徴界でも実現させたことであるといえよう。
Abstract
The purpose of this paper was to examine Shunkin and Saske’s desire structure of <Okchungum> on the basis of Lacan’s desire theory. Obsessive-compulsive neurosis and Succubism’s elements that Shunkin and Saske show were examined. Obsessive-compulsive neurosis comes from denying the big other of ‘the Symbolic’ caused by his own physical incompletion. Saske’s Succubism takes on the aspect of court-like love which is typical of ‘the Real’ and ‘the Symbolic’ by Lacan. Shunkin’s love can be defined as ‘love the other’ and Saske’s can be defined as ‘love of Narcissism’ in the relationship of Shunkin and Saske. This is not the regular love between men and women and it means the concept of sexual difference overturned. To examine the cause of switching the sexual difference, Shunkin recognized herself she was the imperfect being and needed Saske in satisfying the lack as a filling object ‘a’. In other wise, she intended to fill a lack of desire through Saske by educating Shamisen. Saske’s love was transcendental type which has a Jouissance feminine aspect and her losing her eyesight became the opportunity to own his ideal woman, Shunkin in the reality. It means that the love of ‘the Real’ in the sense of Lacan was realized in ‘the Symbolic’.
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