국보『겐지모노가타리 에마키(源氏物語絵巻)』 독자적인 場面에 관한 一考察

Abstract

This manuscript considered the independent scenes that are not succeeded to the posterity centered on the picture scenes of the Kasiwagi Group and the Sawarabi Group of "National Treasure: Genjimonogatari-emaki". If it can be said that the previous, precedent researches mainly emphasized the organizational logic of the selection of the picture scenes by comparing with the summary of a work of art, in this manuscript, it was intended to re-illuminate the special characteristics and the method of the pictorialization of the scenes in this work of art by adopting the group of the Genji-ekotoba works of art and the future generation Genji-e. As a result, differently from the fact that the previous, typed scenes that were adopted in the Genji-ekotoba group of the works of art and the future-generation Genji-e works of art mainly dealt with the dating scenes or the formality and banquet scenes of the male and female protagonists, in the case of the independent scenes of "National Treasure: Genjimonogatari-emaki", we can find out that the pictorialization has been done with the scene organization that expresses the subject of Monogatari-e by adopting the scenes which express the inner side feelings between the persons and the human affairs well. Especially, the large group of people who diversely appear in these works of art had been used as the media who have a good command of the diverse messages through the pictorial techniques and not simply as the surrounding people with in the screen. As such, it can be said that, as an important framework that organizes the quality of the work of these work of art, a picture screen which independently selected the scenes and pictorialized the multifarious, large group of people had existed.