디지털 아트에서 사진의 활용 - 빌렘 플루서의 기술 이미지를 바탕으로
The use of Photography in digital art -Based on Vilém Flusser’s Technical Image
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This study examines the use of photography in digital art based on the philosophy of Vilém Flusser. Photography in digital art has a different appearance from ordinary photography. Therefore new framework of theory is required to see this new images which move pixels by audiences or generating music. Vilém Flusser explained the technical image of modern society. He gave a warning that humans could falling under the control by devices of technical Image. In this situation, he found a little hope in the digital art field. Digital artists resist the automaticity of the device and create new results that the device maker did not expect. Flusser named ‘new Imagination’ for this phenomenon. In addition, they are not independent individuals, but jointly created a art work through communities. Therefore, digital art is an art that is completely different from the previous classical art and presents a new paradigm for a new era which called digital generation.
Abstract
This study examines the use of photography in digital art based on the philosophy of Vilém Flusser. Photography in digital art has a different appearance from ordinary photography. Therefore new framework of theory is required to see this new images which move pixels by audiences or generating music. Vilém Flusser explained the technical image of modern society. He gave a warning that humans could falling under the control by devices of technical Image. In this situation, he found a little hope in the digital art field. Digital artists resist the automaticity of the device and create new results that the device maker did not expect. Flusser named ‘new Imagination’ for this phenomenon. In addition, they are not independent individuals, but jointly created a art work through communities. Therefore, digital art is an art that is completely different from the previous classical art and presents a new paradigm for a new era which called digital generation.
참고문헌 (15)
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- Vilém Flusser, "피상성 예찬" (2004), 커뮤니케이션북스
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- 조선령, "장치 개념과 이미지 이론의 확장 : 플루서와 아감벤의 접점을 중심으로", 미학예술학연구, 45, pp.219~242 (2015), 한국미학예술학회[DOI]