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사진과 인공지능 : 기술 이미지의 진화

Photography and artificial intelligence: evolution of technical image

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초록

The purpose of this article is to examine how artificial intelligence has changed the way images are produced and distributed after photography. Bazin defined the photography as an auto-generated image, and Flusser defined it as the first technical image and saw the property as the program’s automatism. The core of the image production method using computer programs and algorithms, which are rapidly evolving in recent years, is automation. In this regard, it can be said that the artificial intelligence image inherited the automaticity of photography. The problem here is that humans are excluded. The same problem occurs not only in the production process of images, but also in the process of receiving and distributing images. This is because it automatically accepts information that is automatically calculated. This article seeks to explore where human positions are in this cultural environment dominated by automatism.

Abstract

The purpose of this article is to examine how artificial intelligence has changed the way images are produced and distributed after photography. Bazin defined the photography as an auto-generated image, and Flusser defined it as the first technical image and saw the property as the program’s automatism. The core of the image production method using computer programs and algorithms, which are rapidly evolving in recent years, is automation. In this regard, it can be said that the artificial intelligence image inherited the automaticity of photography. The problem here is that humans are excluded. The same problem occurs not only in the production process of images, but also in the process of receiving and distributing images. This is because it automatically accepts information that is automatically calculated. This article seeks to explore where human positions are in this cultural environment dominated by automatism.

참고문헌 (13)

  1. Flusser, Vilem, "코무니콜로기" (2001), 커뮤니케이션북스
  2. 김남시, "축음기, 영화, 타자기" (2019), 문학과 지성사
  3. Bazin, André, "Qu’est-ce que le cinema?" (1945), Cerf
  4. Bentley, Peter, "Toward a philosophy of photography" (1983), Reaktion Books Ltd
  5. Flusser, Vilem, "Into the universe of technical images" (2011), University of Minnesota Press
  6. Goodfellow, Ian J, "Generative Adversarial Nets", pp.2014
  7. Haton, Jean-Paul, "L’intelligence artificielle" (1989), P. U. F
  8. Lehman, Joel, "The surprising creativity of digital evolution: a collection of anecdotes from the evolutionary computation and artificial life research communities", pp.2018
  9. Marx, Karl, "Le Capital" (1897), Flammarion
  10. Nguyen, Anh, "Innovation engines: automated creativity and improved stochastic optimization via deep learning", Evolutionary computation (2015)[DOI]
  11. Sims, Karl, "Artificial evolution for computer graphics", Computer Graphics, 25(4) (1991), Thinking Machines Corporation
  12. "Evolved virtual creatures" (1994)[URL]
  13. "Generated photos terms and conditions"[URL]

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