연구자 작품 ‘Past & Cast’ 연작의 복제이미지 기법에 대한 알레고리적 특성에 관한 연구

Abstract

In postmodernism art, meaning of representation today can be extended through interpretation in the context of the society rather than the originality, or the aesthetics of the original, and, it should be applied in the non-fixed context which produces a diversity of meaning to get definition of the representation. Postmodernism art is not rather focusing on the art piece itself than on its plural context, its various meanings and mutual text which is more precisely, the patrons of art, the taste of classes and the relationship between the popularity, and its diversity aspect contains the allegorical impulse in its background. To me, it is impressed in the deconstructional properties in the context of the allegory of Craig Owens theory, and it means the dialectic deconstruction for the purpose of the possibility of representational system in terms of the allegorical concepts which effected in the more postmodernism aspect rather than only the deconstruction itself in the context of narrow meaning for the deconstruction concept. The meaning of the allegorical deconstruction is the potential elements which are subsiding in the concept and expressing method of the allegory, and the reflection of the image environment in the modern society. In my works, I try to deconstruct the meaning of daily life nowaday in terms of the concept and allegorical approach through the methods of reproduced image techniques, and it means to consider a possibility of represent system, and I intend to apply to an allegorical concept which contains the time of a photo image as discontinuity in the process of making reproduced image. The reproduced image is a sort of effective way leading the deconstruction, not only a method of image skill, also the concept itself. Therefore, my reproduced image technique is a way of an allegorical representation which is lead in another approach to the daily life.