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小杉未醒「二十四人」論

A Study on Kosugi Misei's “24 people”

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초록

“24 people” is the high artistic poem that made by Kosugi Misei, who directly experienced the incheon sea battle as a correspondent, which prelude to the Russo-Japanese war. Kosugi Misei pondered the suffering and inner side of the Russian wounded and symbolized that in the language of poem. This became important trigger to develop Kosugi Misei's anti-war art activities. This study tried a comprehensive and detailed analysis and interpretation about the “24 people” which have not been studied in depth at the academic level. The significant results of this study are as follows. First, “24 people” is the first poem based on the author's own experience, expressing the horrors of the Russo-Japanese War, It was born in close association with drawing activities and versifying activities. Second, The delicate observations and detailed strokes as a painter are mixed in the poetic diction then, finished with high quality works of reality and artistry. Third, this work embodied the pain and suffering of injured soldiers to poetic diction, It becomes beginning of a trend which is like Kosugi Misei's war poetry. Fourth, The poet's speaker, asked the responsibility of the Russo-Japanese war not only Russia but also Japan. In addition, he expresses his sympathetic attitude toward the Korean people who are the victims of this war, It is a special aspect that cannot be found in the war poetry of other poets during the Russo-Japanese War. Finally, One of the most distinctive aspects in the development of the antiwar artistic activity of Gosugi Misei, He expressed the poem and picture with transcending the distinction between enemy forces, friendly forces, also between races and peoples. The poem “24 people” has important meaning by showing the artistic trend of Kosugi Misei impressively for the first time.

Abstract

“24 people” is the high artistic poem that made by Kosugi Misei, who directly experienced the incheon sea battle as a correspondent, which prelude to the Russo-Japanese war. Kosugi Misei pondered the suffering and inner side of the Russian wounded and symbolized that in the language of poem. This became important trigger to develop Kosugi Misei's anti-war art activities. This study tried a comprehensive and detailed analysis and interpretation about the “24 people” which have not been studied in depth at the academic level. The significant results of this study are as follows. First, “24 people” is the first poem based on the author's own experience, expressing the horrors of the Russo-Japanese War, It was born in close association with drawing activities and versifying activities. Second, The delicate observations and detailed strokes as a painter are mixed in the poetic diction then, finished with high quality works of reality and artistry. Third, this work embodied the pain and suffering of injured soldiers to poetic diction, It becomes beginning of a trend which is like Kosugi Misei's war poetry. Fourth, The poet's speaker, asked the responsibility of the Russo-Japanese war not only Russia but also Japan. In addition, he expresses his sympathetic attitude toward the Korean people who are the victims of this war, It is a special aspect that cannot be found in the war poetry of other poets during the Russo-Japanese War. Finally, One of the most distinctive aspects in the development of the antiwar artistic activity of Gosugi Misei, He expressed the poem and picture with transcending the distinction between enemy forces, friendly forces, also between races and peoples. The poem “24 people” has important meaning by showing the artistic trend of Kosugi Misei impressively for the first time.

참고문헌 (11)

  1. 小杉未醒, "(附)朝鮮日記" (1904), 嵩山房
  2. "戦時画報", 近事画報社 明治三十七年二月〜明治三十八年十月, ~
  3. "明治文学全集 83", 筑摩書房
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  5. 西田勝, "近代文学の発掘", pp.20~, 法政大学出版
  6. 後藤康二, "陣中詩篇の覚え書き", 試想, (4), pp.93~ (2005), 試想の会
  7. 林鐘国, "日本軍의 朝鮮侵略史", pp.105~ (1988), 日月書籍
  8. 金仙奇, "日露戦争と陣中詩篇", 国際日本文学集会会議録, 2 (1999), 国文学研究資料館
  9. 金仙奇, "小杉未醒研究-明治三十年代の詩について-", 博士, pp.1999
  10. 김선기, "日露戰爭と小杉未醒の戰爭畵についての考察 -反戰詩篇との關連樣相と反戰意識を中心に-", 일본문화연구, (15), pp.166~191 (2005), 동아시아일본학회
  11. 김선기, "小杉未醒「髑髏塔の筆者」論", 일어일문학연구, 95(2), pp.139~164 (2015), 한국일어일문학회

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