인터랙티브 아트의 존재 방식에 관한 연구
Studies on the Existing Way of Interactive Art
2
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
Interactive Art that formed by the interaction between audiences or the audience and the work exists entirely different way with past. First of all, it is not the representation but the continuous presentation of the creation and re-creation of the de-individualized image. There are no endings. Instant existing forms possess equal value without the hierarchy. It deconstructs the originality of the work while challenging its uniqueness of the aura. The body of the audience awakens the potentiality of the image with its sensor as an interface. This process change from visual to tactile and action involvement proves that the artistic domain has moved from the object to action. And the form is constantly re-created as a participant of the instant communication exchanges and manages the information. Communication among people become the work itself and provide the new art format of ‘the work-communication’. Interactive art brought many changes to the basic elements of the art. It transformed the art from representation to presentation, from single visual sensor to multi ones including tactile and from the eternal format to the instant event. Besides, the position of the artist and the audience also changed followed by the new form. The audience had been promoted to the co-producer who create the meaning and values yet the identity as ‘private-master’ of the artist that of symbolic and social aura had been downgraded. And since the production and exhibition happens in the cyber space, the boundary between the atelier and the museum had been demolished. Therefore the conventional constitution as the artist, the work, the museum, and the collector of the art market also changed. The existing way of interactive art again insists the concept of the art is ‘open’ as it was historically and the artist is capable of deconstructing taboos and pressures within the art and brings artistic and cultural changes through the new format.
Abstract
Interactive Art that formed by the interaction between audiences or the audience and the work exists entirely different way with past. First of all, it is not the representation but the continuous presentation of the creation and re-creation of the de-individualized image. There are no endings. Instant existing forms possess equal value without the hierarchy. It deconstructs the originality of the work while challenging its uniqueness of the aura. The body of the audience awakens the potentiality of the image with its sensor as an interface. This process change from visual to tactile and action involvement proves that the artistic domain has moved from the object to action. And the form is constantly re-created as a participant of the instant communication exchanges and manages the information. Communication among people become the work itself and provide the new art format of ‘the work-communication’. Interactive art brought many changes to the basic elements of the art. It transformed the art from representation to presentation, from single visual sensor to multi ones including tactile and from the eternal format to the instant event. Besides, the position of the artist and the audience also changed followed by the new form. The audience had been promoted to the co-producer who create the meaning and values yet the identity as ‘private-master’ of the artist that of symbolic and social aura had been downgraded. And since the production and exhibition happens in the cyber space, the boundary between the atelier and the museum had been demolished. Therefore the conventional constitution as the artist, the work, the museum, and the collector of the art market also changed. The existing way of interactive art again insists the concept of the art is ‘open’ as it was historically and the artist is capable of deconstructing taboos and pressures within the art and brings artistic and cultural changes through the new format.
참고문헌 (39)
- 김주환, "디지털 미디어의 의의와 중요성, “새로운 예술”론: 21세기 한국문화의 전망", pp.229~245 (2001), 나남출판
- 김홍희, "Info Art '95 KWANGJU BIENNALE" (1995), 삼진각
- 박명진, "디지털 영상 예술: 해독과 해석의 체험으로부터 감각과 놀이적 체험으로. Andrew Darley에게 듣는다, “새로운 예술”론: 21세기 한국문화의 전망", pp.657~667 (2001), 나남출판
- 심혜련, "사이버스페이스 시대의 미학: 새로운 아름다움이 세상을 지배한다" (2006), 살림
- 조광제, "디지털적인 호환시대에서의 실재성, 매체철학의 이해", pp.173~208 (2005), 도서출판 인간사랑
- 최정호, "새로운 예술(art nouveau)과 새로운 ‘새로운 예술’ “새로운 예술”론: 21세기 한국문화의 전망", pp.33~56 (2001), 나남출판
- Ascott, R., "From appearance to apparition:Communication and culture in the cybersphere", ISEA '93 (1993)
- Ascott, R., "텔레마틱 포옹에도 사랑이 있을까? 멀티미디어: 바그너에서 가상현실까지", pp.511~529 (2004), nabi press
- Battock, G., "The New York Art" (1966), Dutton
- Burroughs, W., "소설의 미래, 멀티미디어: 바그너에서 가상현실까지", pp.463~468 (2004), nabi press
- Cage, J., "'일기: 관객 1966' 월요일로부터의 일 년, 멀티미디어: 바그너에서 가상현실까지", pp.181~186 (2004), nabi press
- Daniels, D., "Strategien der Interaktivität. in: Medien Kunst Interaktion" (2000), SpringerWien
- "On Your Mark, Get Set, Unwire!"[URL]
- Greene, R., "L'Art Internet" (2004), Thames & Hudson
- Hershman, L., "통제 너머의 환타지, 멀티미디어: 바그너에서 가상현실까지", pp.501~509 (2004), nabi press
- Holtzman, S.R., "디지털 모자이크 : 인간은 디지털로 어떻게 생각하고 말할 수 있는가?" (2002), 커뮤니케이션북스
- Kreuger, M., "Machine Culture" (1993), exhibition catalog
- Kreuger, M, "반응하는 환경, 멀티미디어: 바그너에서 가상현실까지", pp.203~227 (2004), nabi press
- Lévy, P., "디지털 시대의 가상현실" (2002), 궁리
- Licklider, J.R.C., "인간과 컴퓨터의 공생, 멀티미디어: 바그너에서 가상현실까지", pp.128~139 (2004), nabi press
- (2001)[URL]
- MacLuhan, H.M., "미디어의 이해: 인간의 확장" (2002), 민음사
- Manovich, L., "뉴미디어의 언어" (2004), 생각의 나무
- Marie-Laure, R., "Narrative as virtual reality: immersion and interactivity in litterature and electronic media, Baltimore, Md" (2001), Johns Hopkins University press
- Mèredieu F., "Arts et nouvelles technologies" (2004), Larousse
- Negroponte. N., "디지털이다" (1996), 박영률 출판사
- Packer, R, "멀티미디어: 바그너에서 가상현실까지" (2004), nabi press
- Paul, C., "Digital Art" (2008), Thames and Hudson
- Popper, F., "전자시대의 예술" (1999), 예경
- Pearce, C., "The Interactive Book; A Guide to the interactive revolution" (1977), Macmillan Technical Publishing
- Rush, M., "Les nouveaux médias dans l'art" (2000), Thames & Hudson
- Tribe, M., "Art des nouveaux média" (2006), Tachen
- Virilio. P., "정보과학의 폭탄" (2002), 울력
- Vitale, E., "Le Bauhaus de Weimar 1919-1925" (1989), Pierre Mardaga
- Wagner, R., "미래의 예술작품에 대한 개요, 멀티미디어: 바그너에서 가상현실까지", pp.52~60 (2004), nabi press
- Welsch, W., "미학의 경계를 넘어: 현대미학의 새로운 시나리오, 진단, 전망" (2005), 향연
- Wiener, N., "사이버네틱스의 역사: 인간의 인간적 적용, 멀티미디어: 바그너에서 가상현실까지", pp.115~125 (2004), nabi press