공공미술로서의 인터랙티브 미디어 아트 사례분석 -참여유형을 중심으로

Abstract

We can literally name 21st century as a century of digital media. Without helps of digital media, we can no longer communicate with others who are in touch with them. Therefore, interactive media arts, as a part of public art, play a crucial role of transforming the public from passive receivers to active participants via inviting the public’s engagements in works of art. However, the recent works based on interactive media arts, as part of public art installation, are being called cliché, due to their limited means of communication between the artists and the public. The works of art have been continually criticized for being merely florid and temporary. The purpose of this thesis is to set free of the ‘show’ side of interactive media art and its criticisms, and to flourish the relationship between the art and the audience. Last decades, the studies on these relationships have been mainly based on the conclusions made based on the public environment which the audience was set into and the patterns of observers. This thesis will not give out concrete proposition based on analyzing the patterns of observing audiences, but to nourish the relationship between the artist and audience.