본문 바로가기
KERD
논문KCI 등재

일본 하기의 조선도공 이작광과 이경

A Study on Lee, Jak Kwang and Lee, Kyung, the Chosun Potter of Hagi, Japan

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류학제간연구

초록

Hagi is a famous pottery village in Japan. The pottery there is known to have been developed by a Joseon potter. The study of the pottery has been conducted in three directions. The first is to find out how the pottery began in the early days of the Edo period after the Japanese Invasion of Korea in 1592, and how it developed. The second is whether the renovation of the ceramic start-up was made by Lee Jak-Kwang or Lee Kyung. The third is to find out where the two are from. The study looked at the controversy being discussed recently and where they came from. Hagi pottery is know to have started by Lee, Jak Kwang and Lee, Kyung brothers. If anyone was to be picked as an originator, it would be Lee, Jak Kwang considering that he quickly settled down in Hagi, invited Lee, Kyung, and a person in charge of Hagi pottery always has been his descendant. Also, they are not full brothers, and Lee, Jak Kwang visited Japan during the Japanese Invasion of Korea in 1592 and Lee, Kyung visited Japan during the Japanese Invasion of Korea in 1597. Thus they were not from the same hometown. There is a high possibility that Lee, Jak Kwang is from Kyungbuk inland region as Gimcheon, Seongju, Seonsan including Gimhae, the activity area of Mori Terumoto who kidnapped him, Lee, Kyung is the same as Gaejo Sonkai of Aganoyaki, and there is a high possibility that he is from Sachon, Gyeongnam which is assumed to be a hometown of Sonkai considering that shaping method is similar to Sonkai. Even though these two people were not brothers by blood, they treated each other like real brothers. When Lee, Jak Kwang died, leaving behind his son, Lee, Kyung took care of this child, raised him like his biological child, and made him to carry on the family line. As said, Japanese still mistakenly believe that they are brothers up to this day because the two people depended on each other.

Abstract

Hagi is a famous pottery village in Japan. The pottery there is known to have been developed by a Joseon potter. The study of the pottery has been conducted in three directions. The first is to find out how the pottery began in the early days of the Edo period after the Japanese Invasion of Korea in 1592, and how it developed. The second is whether the renovation of the ceramic start-up was made by Lee Jak-Kwang or Lee Kyung. The third is to find out where the two are from. The study looked at the controversy being discussed recently and where they came from. Hagi pottery is know to have started by Lee, Jak Kwang and Lee, Kyung brothers. If anyone was to be picked as an originator, it would be Lee, Jak Kwang considering that he quickly settled down in Hagi, invited Lee, Kyung, and a person in charge of Hagi pottery always has been his descendant. Also, they are not full brothers, and Lee, Jak Kwang visited Japan during the Japanese Invasion of Korea in 1592 and Lee, Kyung visited Japan during the Japanese Invasion of Korea in 1597. Thus they were not from the same hometown. There is a high possibility that Lee, Jak Kwang is from Kyungbuk inland region as Gimcheon, Seongju, Seonsan including Gimhae, the activity area of Mori Terumoto who kidnapped him, Lee, Kyung is the same as Gaejo Sonkai of Aganoyaki, and there is a high possibility that he is from Sachon, Gyeongnam which is assumed to be a hometown of Sonkai considering that shaping method is similar to Sonkai. Even though these two people were not brothers by blood, they treated each other like real brothers. When Lee, Jak Kwang died, leaving behind his son, Lee, Kyung took care of this child, raised him like his biological child, and made him to carry on the family line. As said, Japanese still mistakenly believe that they are brothers up to this day because the two people depended on each other.

참고문헌 (27)

  1. 김태준, "임진란과 조선문화의 동점", pp.111~112 (1977), 한국연구원
  2. 노성환, "일본 하기의 조선도공에 관한 일고찰", 일어일문학, (47), pp.329~347 (2010), 대한일어일문학회[DOI]
  3. 변광석, "임진왜란 직후 기장지역의 상황과 被虜人 沙器匠", 한국민족문화, (33), pp.39~73 (2009), 한국민족문화연구소
  4. 신봉승, "국보가 된 조선 막사발", 한글한자문화, (114), pp.31~ (2009), 전국한자교육추진총연합회
  5. 신한균, "우리 사발 이야기", pp.470~471 (2005), 가야넷
  6. 우관호, "하기 도자기 연구", 미술디자인 논문집, (1), pp.270~ (2001), 홍익대 미술디자인공학연구소
  7. 이미숙, "일본 구주지역의 조선 피로사기장 연구", 박사, 사학, pp.2008
  8. 이양훈, "양부하", pp.240~241 (2016), 좋은땅
  9. 정동주, "조선 막사발 천년의 비밀", pp.110~ (1998), 한길아트
  10. 정수일, "한국 속의 세계(하): 우리는 어떻게 세계와 소통해 왔는가", pp.188~ (2005), 창비
  11. 최남선, "임진란 –육당최남선전집(2)-", pp.595~596 (1973), 현암사
  12. 李慶熙, "韓国八山里調査報告", 日本の民芸, (8), pp.9~ (1976), 日本工芸館
  13. 宇都宮宏, "韓国慶尚南道「頭洞里陶窯」の大井戸茶碗及び小井戸茶碗陶片の元素の定性と定量分析", 絆, (15), pp.1~4 (2002), 育英友の会 中国支部
  14. 宇都宮宏, "萩燒 舊萩藩藩窯 坂窯と三輪窯の開窯と發展", 絆, (17), pp.3~ (2003), 育英友の会 中国支部
  15. 榎本澈, "文献に見る初期萩焼", MUSEUM, pp.28~ (1990), 東京国立博物館
  16. 河野良輔, "探訪日本の陶芸(5) -山陰 萩, 出雲, <立原正秋, 林屋晴三 監 修>", pp.46~ (1980), 小学館
  17. 河野良輔, "古萩 -その原流と周辺- 図錄", pp.138~ (1981), 山口県立美術館
  18. 河野良輔, "近世萩燒の歷史的展開 -萩燒400年展より", 陶說, (573), pp.30~ (2002), 日本陶磁協会
  19. 黒川真頼, "工芸志料(卷3)", pp.57~ (1988), 有隣堂
  20. 文祿.慶長役における被虜人の硏究, "內藤雋輔", 東京大学出版会, 760~761 (1976)
  21. 中島浩氣, "肥前陶磁史考, <復刻本>", pp.95~96 (1985), 靑潮社
  22. 楢崎鐵香, "はぎやき", pp.36~37 (1947), 盛運堂
  23. 松尾香, "風土記 椎ノ峯史乘", pp.34~ (2002), 山口印刷株式会社
  24. 上野燒尊楷渡來の硏究, "毛利亮太郞", 歷硏, 64~66 (2009)
  25. 吉賀大眉, "日本のやきもの 萩(6)", pp.100~101 (1974), 淡交社
  26. 山本勉弥, "萩の陶磁器", pp.35~ (1978)
  27. 渡邊茂樹, "李勺光 李敬のいた風景", pp.324~356 (1999), 講談社

관련 논문AI추천

이 간행물의 다른 논문 (23건)