탈냉전 시기 ‘타이완’의 문화적 정체성 ― 타이완 영화 <시이딕 발레>를 중심으로
The Cultural Identities of Taiwanese: In Case of Taiwanese Film “Seediq Bale”
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This paper discusses the multiple meanings of Taiwanese cultural identity by focusing on the first Taiwanese blockbuster movie “Seediq Bale” as well as the debates and issues surrounding it. Through the close reading and analysis of “Seediq Bale,” I show that the movie refuses the dichotomous ideas of “colonization/repression vs. declolonization/resistance”; rather, it suggests an alternative way of reconstructing Taiwanese dignity and cultural identity through the power of “primitiveness.” Also, I believe that the cultural identity established through the process of being “primitive” has intimate connections with the issues of “Taiwan Independence” and resurgence of indigenous populations as a symbol of new Taiwanese identity since the 2000s. Furthermore, this newly formed Taiwanese identity including de-sinocization process challenges the current order of the world, one that is based on, as well as solely recognized by individual nation-states.
Abstract
This paper discusses the multiple meanings of Taiwanese cultural identity by focusing on the first Taiwanese blockbuster movie “Seediq Bale” as well as the debates and issues surrounding it. Through the close reading and analysis of “Seediq Bale,” I show that the movie refuses the dichotomous ideas of “colonization/repression vs. declolonization/resistance”; rather, it suggests an alternative way of reconstructing Taiwanese dignity and cultural identity through the power of “primitiveness.” Also, I believe that the cultural identity established through the process of being “primitive” has intimate connections with the issues of “Taiwan Independence” and resurgence of indigenous populations as a symbol of new Taiwanese identity since the 2000s. Furthermore, this newly formed Taiwanese identity including de-sinocization process challenges the current order of the world, one that is based on, as well as solely recognized by individual nation-states.
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