映画『海角七号』と『セデック・バレ』に描かれる 台湾社会の共生と差別
Beyond the Differences: A study of Multicultural Coexistence and Discrimination from Cape No.7 and Seediq Bale
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Cape No.7 and Seediq Bale, which are filmed by Taiwanese director, Wei Te‐Sheng. Cape No.7 was one of the biggest box‐office hits. The film has even becomea cultural phenomenon in Taiwan. His second film, Seediq Bale not only referredthe conflicting factors in Taiwanese sensitivity to politics and history, but alsoprovided some aspects of the nationalities, ethnic groups, languages, gender differences,age differences problems in Taiwan. This paper intends to examine why a film director like Wei tried not to avoidsocially and historically controversial topics. Also, based on textual analysis, examinesthe representation of the multicultural coexistence and discrimination in his films.
Abstract
Cape No.7 and Seediq Bale, which are filmed by Taiwanese director, Wei Te‐Sheng. Cape No.7 was one of the biggest box‐office hits. The film has even becomea cultural phenomenon in Taiwan. His second film, Seediq Bale not only referredthe conflicting factors in Taiwanese sensitivity to politics and history, but alsoprovided some aspects of the nationalities, ethnic groups, languages, gender differences,age differences problems in Taiwan. This paper intends to examine why a film director like Wei tried not to avoidsocially and historically controversial topics. Also, based on textual analysis, examinesthe representation of the multicultural coexistence and discrimination in his films.
참고문헌 (6)
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- "2009年台灣電影年鑑", pp.19~100 (2009), 国家電影資料館
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- 蕭幸君, "収奪される記憶・体：『セデック・バレ』の矛盾と葛藤, In 全球格局變遷下之東亞政經發展－台灣與日本的視角－", pp.323~355 (2012), 國立政治大學當代日本研究中心出版