现代文艺理论视角下的冯梦龙小说理论研究
Research on Feng Menglong’s Novel Theory through the Angle of Modern Theory of Literature and Art
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초록
冯梦龙作为明代著名的小说家,不但编撰了代表话本小说最高成就的“三言”,而且还提出了小说创作的一系列原则。他提出的“真赝”、“适俗”、“情教”等原则,既有深刻的概念内 涵,还在逻辑上构成了完整的小说理论体系。尤其是,从现代文艺理论的视角来看,冯梦龙 的小说创作原则还涉及到虚构达到的艺术真实、通俗性带来的审美效应,情理统一产生的教 育功能等极为重要的文学理论范畴。在中国文学发展史上,冯梦龙提出的小说创作原则从理 论上确定了小说的性质,划清了作为文学体裁的小说与史传以及其他纪实和娱乐文字之间的 界限,并为后来中国白话小说的发展奠定了原则基础。
Abstract
As the famous novelist in Ming Dynasty, Feng Menglong not only compiled “San Yan”, the fiction that represents the highest achievement of story-tellers novel, but also put forward a series of principles for novel writing. The principles such as “Zhenyan”, “Shisu”, and “Qingjiao” raised by him, have very deep concept connotation on one hand, and constitute a integrated novel theory system in logic on the other hand. Especially, according to the view of the modern literature theory, Feng Menglong’s novel theory involves with some basic concepts in the literature creations, such as the artistic reality based on imaginary, the aesthetic effect based on popularity, and the educational function based on the unification of emotion and reason. In the Chinese literature development history, Feng’s theory made clear the nature of novel and distinguished the difference between novel as a literary form and the historical biography as well as the text for recording facts and amusement. It also had established the foundation for the hereafter Chinese vernacular novels development.
참고문헌 (20)
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