중국 상흔문학을 변용한 대만 반공상흔영화

Abstract

This study is a review of ‘anti-communist scar films’ produced in Taiwan in the early 1980s. ‘Anti-communist scar films’ refers to a film produced based on the scar literature of Mainland China, which was an enemy country of Taiwan in the early 1980s to spread and strengthen anti-communism, which served as the ruling ideology of the Taiwan Kuomintang government. Some of the ‘anti-communist scar films’ produced in Taiwan in the early 1980s include ‘If I Were for Real(假如我是真的)’　(1981), ‘On The Society File Of Shanghai―Girl’s rights to the bridal night(上海社會檔案――少女初夜權)’(1981), and ‘Portrait of a Fanatic(苦戀)’(198２). However, the film, which was produced under the name of strengthening anti-communism, fell into a dilemma by betraying anti-communism. ‘If I Were for Real’ was made to induce compassion for communists through human emotional stimulation, ‘On The Society File Of Shanghai―Girl’s rights to the bridal night.’ has been transformed into a violent and sensational erotic film, and In ‘Portrait of a Fanatic’, humanism was more prominent than the original. Thus, this study examines the motives and background of the ‘anti-communist scar films’, and attempts to identify how they exposed the limitations of anti-communist films as these three films fall into a dilemma that betrays anti-communism.