탈냉전기 양안의 문화 연쇄 — 중국 대륙의 ‘상흔’에서 대만의 ‘반공’으로
The Cultural Chain of the Cross-Strait(兩岸) in the Post-Cold War Era: From China’s “Scar” to Taiwan’s “Anti-Communist”
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This paper is to examine the cultural chain process and cultural symptoms of the Cross-Strait in the post-Cold War, focusing on two anti-communist films If I’m Real, On the Society of Shanghai from Taiwan in 1981. The production of the film made Cross-Strait relations even worse as the films was based on a scenario of ‘Scar’ theme banned in China in 1979. Although it was an anti-Communist propaganda film, but there were also signs of a cultural transformation in Taiwan. Because the Taiwan government's political logic, film industry, producers and audiences were opposing the entire process from film planning to consumption, and the original scenario's “social realism” characteristics triggered Taiwan's post-cold war cultural signs. Therefore, this study views China's cultural issues surrounding the scenarios as a cultural medium linked to Taiwan's social transformation. And the overall review of how one identical text was transformed in two regions during the post-Cold War period.
Abstract
This paper is to examine the cultural chain process and cultural symptoms of the Cross-Strait in the post-Cold War, focusing on two anti-communist films If I’m Real, On the Society of Shanghai from Taiwan in 1981. The production of the film made Cross-Strait relations even worse as the films was based on a scenario of ‘Scar’ theme banned in China in 1979. Although it was an anti-Communist propaganda film, but there were also signs of a cultural transformation in Taiwan. Because the Taiwan government's political logic, film industry, producers and audiences were opposing the entire process from film planning to consumption, and the original scenario's “social realism” characteristics triggered Taiwan's post-cold war cultural signs. Therefore, this study views China's cultural issues surrounding the scenarios as a cultural medium linked to Taiwan's social transformation. And the overall review of how one identical text was transformed in two regions during the post-Cold War period.
참고문헌 (37)
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