黃峨 散曲에 보이는 희곡적 특징 연구

Abstract

Huang-E, a female writer in the middle of Ming Dynasty is very good at San-Qu and occupies an important position in Ming Dynasty’s San-Qu history. She’s San-Qu is closely related to her life, and her husband, Yang-Shen, was also a famous San-Qu writer. Huang-E, who writes poetry well, had a happy newly married life after she married Yang-Shen. However, after Yang-shen was punished by the court and driven to Yun-Nan, she leads a lonely life. So Huang-E’s San-Qu expressed her Yearning and resentment for her husband. Huang-E was good at both Nan-Qu and Bei-Qu under the influence of Yang-Shen, was better at the Bei-Qu. She described the character, incident and background through the Bei-Qu, became a woman of noble birth, a prostitute, and a male figure in a San-Qu. Through the dramatic characteristics of Huang-E’s San-Qu, we can see that her San-Qu was singing various contents and tried various expressions. The content and formal analysis of Huang-E’s San-Qu could look at Huang-E’s naive, frankness, cheerful and freeness with Huang-E’s San-Qu, away from the way she had so far evaluated Huang-E’s work only in the shadow of her husband Yang-Shen. In the late Ming Dynasty after Huang-E, a large number of female San-Qu writers appear around the southern region. Huang-E’s talent and virtue have influenced female San-Qu writers a lot, also had a profound impact on Chinese women’s literature.