家族文學與葉小紈《鴛鴦夢》的創作
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The dramas of female writers in Ming Dynasty are mainly three types that are about young ladies, prostitutes and female Taoist, among which the dramas about young ladies had the biggest achievement and influence. The representative is Ye Xiaowan’s Yuan Yang Dream which was the first preserved drama written by female writer of Ming Dynasty. The main reason that Ye Xiaowan was able to write dramas is that she lived in a good circumstance of creating family literature, and she could know about and was affected by drama culture. Besides, her relatives’ marriages, family tragedies and the consequently prosperous family literatures about mourning provided her with abundant subject materials. Yuan Yang Dream shows that female drama writers relied on group of family literature to different extent in Ming, Yuan and Qing Dynasty. Compared to male drama writers, female writers paid more attention to family life and marriage. They were more influenced by family drama cultural activity, because they must have the training of drama rhythm and learn about the performance on stage, while it is not necessary for the creators of poems and prose. Therefore, we should emphasize the characteristics of era, sex and genre when we study creations of female drama writers of Ming Dynasty.
Abstract
The dramas of female writers in Ming Dynasty are mainly three types that are about young ladies, prostitutes and female Taoist, among which the dramas about young ladies had the biggest achievement and influence. The representative is Ye Xiaowan’s Yuan Yang Dream which was the first preserved drama written by female writer of Ming Dynasty. The main reason that Ye Xiaowan was able to write dramas is that she lived in a good circumstance of creating family literature, and she could know about and was affected by drama culture. Besides, her relatives’ marriages, family tragedies and the consequently prosperous family literatures about mourning provided her with abundant subject materials. Yuan Yang Dream shows that female drama writers relied on group of family literature to different extent in Ming, Yuan and Qing Dynasty. Compared to male drama writers, female writers paid more attention to family life and marriage. They were more influenced by family drama cultural activity, because they must have the training of drama rhythm and learn about the performance on stage, while it is not necessary for the creators of poems and prose. Therefore, we should emphasize the characteristics of era, sex and genre when we study creations of female drama writers of Ming Dynasty.
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