중국조선족 항일가요의 혼종성과 과도기적 정체성

Abstract

As one of the earliest ethnic minorities who participated in the War of Resistance against Japanese Aggression in China, the Chinese Korean in China fought side by side with the people of other ethnic minorities in China and made great contributions to the victory of the War of Resistance against Japanese Aggression in China. Chinese-Korean music occupies an important proportion in the composition of Chinese music, especially during the War of Resistance Against Japanese Aggression, Chinese Korean immigrants created a lot of music with their tenacious revolutionary will and profound national consciousness. The Chinese Korean anti-Japanese folk songs were widely spread among the Korean public, which played a role in boosting people's morale and propagating the spirit of the Anti-Japanese War. These folk songs successfully expressed the living conditions of Chinese Korean immigrants during the Anti-Japanese War, reflecting the revolutionary spirit of the Chinese Korean immigrants and their firm belief in the victory of the War against Japan. During the War of Resistance Against Japanese Aggression, Chinese society was in a state of turmoil and chaos. Under the influence of Chinese social environment, Chinese Korean immigrants had been exposed to a variety of cultures and formed a state of cultural hybridity. Through the analysis of the music source, creative background and lyrics of seven Chinese Korean anti-Japanese folk songs, this paper proves that Korean anti-Japanese songs absorbed the culture of many regions, and explores this hybridity music reflecting the changing identity of Chinese Korean immigrants are gradually shifting towards China. Chinese Korean anti-Japanese songs not only play an important role in the history of Chinese Korean music, but also in the history of Chinese music. Therefore, the study of Chinese Korean anti Japanese folk songs may give us a better understanding of the formation and development of Chinese Korean music. The study provides not only valuable historical materials for the study of the history of Chinese Korean music, but meaningful materials for grasping the process of the change of Chinese Korean identity as well.